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Opis: In the lecture we explore how digital humanities can bring us a new understanding of intimacy in literary works and women writers.
Ključne besede: digital humanities, computational stylometry, intimacy, women writers, literature
Objavljeno v RUNG: 30.08.2022; Ogledov: 2201; Prenosov: 0

Opis: The book Photography Off the Scale: Technologies and Theories of the Mass Image is, first of all, about quantities. Those with memories of pre-smartphone years may suspect that the images of this world have increased in number. Perhaps fewer, however, are aware of just how much. Among the first things we learn in this book is that, in 2018, over 30 million images were uploaded to Twitter, 52 million to Instagram, and 350 million to Facebook — daily (25). For someone who makes a handful of uploads a week, this was news. Who could possibly be looking at them? It turns out, no one. Even if everyone on Earth spent eight hours scrolling through images, they would not all get seen (25). The quantities are just too large. This book claims that the now unconscionable scale at which images circulate and are produced is because they are actually no longer tailored to the human. Interrogating an optics of “ec- centric metrics” (Dvořák), the book tackles one of the liveliest issues in image studies, media studies, and art history today — machine vision, or the vision of the human eye as it is extended by technical apparatuses. It is this seeing “by other means” that the book alleges has thrown the number of images “off the scale.”
Ključne besede: history of photography, digital humanities, art history
Objavljeno v RUNG: 30.05.2022; Ogledov: 3252; Prenosov: 0
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Opis: Članek predstavi dva projekta digitalizacije in spletne predstavitve kulturne dediščine aleksandrink in različnih skupin žensk, ki so večinsko povezane s primorskim in notranjskim geografskim prostorom: v prvem primeru gre za bazo podatkov o aleksandrinkah, v drugem pa za digitalizirano pisemsko dediščino. Program Študentskih inovativnih projektov za družbeno korist je odlična platforma za pilotske projekte s področja digitalne humanistike, saj predvideva interdisciplinarno delovno skupino študentov in mentorjev ter v korist lokalne skupnosti usmerjene praktične rezultate projekta.
Ključne besede: digitisation, correspondences, electronic databases, aleksandrinke, student project, digital humanities
Objavljeno v RUNG: 29.09.2020; Ogledov: 4662; Prenosov: 0
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Opis: The "Comparative literature and digital humanities" paper was part of the panel "Postdigital Comparatism: New methods, new frameworks, new questions?", organized by Amelia Sanz (Complutense University of Madrid), Aleš Vaupotič (University of Nova Gorica), and Silvia Ulrich (Universita di Torino). This panel tries to describe and to evaluate the headway the Comparatism made at a time when cultures, literatures and criticism can be considered inevitably post-digital: after the digital revolution dealing with cultural habitus in the 21st century. Looking forward, what difference does it make? The point is the following: are digital archives, electronic devices, and tools modifying our disciplinary field just with regard to new available sources and dissemination strategies? Or are they creating any specific epistemological modeling? Is there any comparatist condition to be satisfied by digital methodologies? Are the digital humanities and the digital literary studies (still) distinguishable from general literary studies? Can electronic technologies and digital methodologies become hegemonic, even hypercolonial, over any epistemological sovereignty? How are the comparatists coping with the interdisciplinary constellations involved in using computer technologies in research? What is the difference between digitized literatures, and digital arts and literatures from a comparatist point of view? We should reflect on the use of the communication models from new-media art as a source for the emerging digital humanities genres. Why do comparatists seem so suspicious and skeptical towards digitization process and digital arts, whereas they are used to cross over cultures, oceans and media?
Ključne besede: digital humanities, comparative literature, methodology
Objavljeno v RUNG: 13.12.2019; Ogledov: 4162; Prenosov: 0
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Opis: This paper aims to present the editorial practice of Marica Nadlišek Bartol, who edited the first Slovenian women's newspaper Slovenka (1897-1902) in the first three years of it's publishing. Nadlišek Bartol saw in the publishing of women's writings the main accomplishment of her editorship. She encouraged Sloveanian women to take up the pen and write down their feelings and reflections. Since Slovenian women writers entered the literary field not earlier than in 1848 there had been almost no role models in the national literary tradition. Nadlišek knew how to approach this problem: she had published the translations from and about foreign women writers and prompted the dialog between Slovenian women writers and their foreign counterparts. The paper examines which women writers were presented in the newspaper Slovenka and in which ways, how the articles about them caused the discussions on different topics concerning women's emancipations on the pages of the newspaper and in the public life, and how the fact that Slovenka was published on the national fringes in the multiethnical space of Trieste influenced Nadlišek's editorial practice. By using the data from the Virtual Research Enviroment Women Writers this paper also explores the possibilites of visual representation of Nadlišek's editorial network.
Ključne besede: Marica Nadlišek Bartol, Slovenka, Ljubljanski zvon, Dom in svet, Virtual Research Enviroment Women Writers, digital humanities
Objavljeno v RUNG: 16.05.2019; Ogledov: 4413; Prenosov: 241
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