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Engaging Bodies Through Expanded Art Practice
Asja Apolonia Trost, 2020, master's thesis

Abstract: The master thesis entitled “Engaging Bodies Through Expanded Art Practice” is divided in two parts: the first one is the theoretical part which places socially engaged arts in the time-line of contemporary art, followed by an overview of my practical work entitled “Obsolete Properties”. The central aim of the theoretical part is to determine the structures of socially engaged art projects, with all their ambiguities, caused by the inherent connection between the social and the artistic. Topics of such process-based interdisciplinary and participatory art projects reflect at the same time on cultural traditions as well as on current social issues. The second part is an analysis of the artwork I created and set in different contexts. It consists of common materials that arrived into my hands after their previous owners moved their homes. The artwork celebrates artistic process and environmental sustainability while on the other side serves as an agent on the discourse of values.
Keywords: #ART #ENGAGED_ART #ART_PRACTICE #SOCIAL_PRACTICE #SOCIALLY_ENGAGED_ART #CONTEMPORARY_ART #PROCESS #MEDIA #FORM #PERFORMANCE #PARTICIPATION #COLLABORATION #PUBLIC_SPACE #AESTHETICS #POLITICS #ETHICS #INTERACTIVITY #DESIGN #THEATRE #EDUCATION #AUTHORITY #ART_STUDENT #ART_OBJECT #SYSTEM #KNOWLEDGE #PLASTIC #SCULPTURE #FINE_ARTS #INTERMEDIA_ART #VALUES #FREEDOM_OF_EXPRESION #DOCUMENTATION #AUDIENCE #TRASH #MATERIAL #SUSTAINABILITY #CONSERVATION #CONTEXT #TEMPORARY_EXPERIENCE_ZONE #TEZ #WAR #HOLOCAUST
Published in RUNG: 20.07.2020; Views: 3507; Downloads: 113
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