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The solar share : Xcenter, Nova Gorica, 9. maj 2024
2024, razstava

Opis: Produced by: GO!2025 (PostMobilnost / PostMobilità / PostMobility) DISNOVATION.ORG THE SOLAR SHARE Kurator / Curatore / Curated by: pETER Purg Conception and realization: / Koncept in izvedba: DISNOVATION.ORG PARTNERS / PARTNERJi: Co-designed with / Sooblikovanje: Katharina Ammann Co-produced with / Koprodukcija: with IFT Paris Co-commissioned by / Sonaročnik: Hac Te Supported by / S podporo: ICFO & STARTS program ( European Union / Evropska unija)
Ključne besede: umetnost, post-rast, odrast, ekologija, solaren
Objavljeno v RUNG: 17.07.2024; Ogledov: 125; Prenosov: 0
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Learn to Resist : New glocal resilience strategies of cultural institutions for a solidary art production
Peter Purg, Birste Sonnenberg, 2023, radijska ali televizijska oddaja, podkast, intervju, novinarska konferenca

Opis: Closures of cultural institutions as a result of the Corona pandemic, right-wing populist cultural agendas (and even policies!) that work against independent media and cultural workers, and then the Russian attacks on Ukrainian cultural institutions, attempting to erase a country's cultural identity, and artistic vitality. And then there's an obviously more and more fragile nature -- the waters below and the atmospheres above us in chaos. In times of multiple, overlapping crises, cultural institutions and festivals face the challenge of addressing these grievances through glocal processes of adaptation and learning, to become RESILIENT = prepared for change and emergencies, mastering them as robustly and creatively as possible. What resilience strategies are needed at the regional and global level to enable sustainable (international) cultural production and to establish solidarity-based forms of partnership? What are the most interesting examples -- from here, and there, and beyond? With Serge Klymko (Kyiv Biennale),Ukraine, Mei Shimada (CCBT Tokyo), Japan, Birte Sonnenberg (HELLERAU / Hybrid Biennale), Germany, Moderated by: pETER Purg (Univ. of Nova Gorica / Go!2025), Slovenia Schließungen von Kultureinrichtungen infolge der Corona-Pandemie, rechtspopulistische Kulturpolitik gegen unabhängige Medien und Kulturschaffende und die russischen Angriffe auf ukrainische Kulturinstitutionen, die die kulturelle Identität des Landes auslöschen sollen. In Zeiten multipler, sich überlagernder Krisen haben Kulturinstitutionen und Festivals die Herausforderung, diesen Missständen über glokale Anpassungs- und Lernprozesse zu begegnen. Immer mit dem Ziel, auf Veränderungen und Notfälle eingestellt zu sein und diese möglichst robust und kreativ zu meistern. Welche Resilienzstrategien auf regionaler und globaler Ebene braucht es, um nachhaltig (internationale) Kulturproduktion zu ermöglichen und solidarische Formen der Partnerschaften zu etablieren? Mit Serge Klymko (Kyiv Biennale), Mei Shimada (CCBT Tokyo) und Birte Sonnenberg (HELLERAU / Hybrid Biennale), moderiert von Peter Purg (Universität Nova Gorica)
Ključne besede: resistance, resilience, fragility, war, post-war, post-covid
Objavljeno v RUNG: 11.10.2023; Ogledov: 1223; Prenosov: 3
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Covalent organic frameworks for fluorescent imaging of hypoxia
Tina Škorjanc, Dinesh Shetty, Gregor Mali, Damjan Makuc, Martina Bergant Marušič, Matjaž Valant, 2023, objavljeni povzetek znanstvenega prispevka na konferenci

Ključne besede: hypoxia, covalent organic frameworks, imaging, fluorescence, post-synthetic modification
Objavljeno v RUNG: 06.06.2023; Ogledov: 1435; Prenosov: 2
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Conversing with Ghosts of the Previously Tamed
Martina Caruso, 2019, izvirni znanstveni članek

Opis: In this article I argue that representing animal-human relationality in contemporary video art shows how certain artists are addressing recent philosophical perspectives such as object-oriented ontology within a posthuman and post-anthropocentric paradigm. While the philosophies that treat the posthuman, from object-oriented ontology to speculative realism and vital materialism, imply a utopian refusal of hierarchy between human and non-human existence, artists may be hard-pressed to represent the described new order, which, at the moment, does not exist socially or politically.
Ključne besede: post-Anthropocene, animal-human relationality, non-human, posthuman, object-oriented ontology, speculative realism, vital materialism, video art, Basma Alsharif, Christoph Keller, Corinne Silva
Objavljeno v RUNG: 13.01.2023; Ogledov: 1175; Prenosov: 0
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Women in Ruins: Agnes and Dora Bulwer's landscape photographs in Post-Risorgimento Italy
Martina Caruso, 2022, izvirni znanstveni članek

Opis: The British photographers Agnes Bulwer (1856– 1940) and her sister Dora Ellinor Bulwer (1864– 1948) left a legacy of circa 1300 photographs and 890 negatives, date from 1890 to 1913, to the British School at Rome. The photographs are principally of landscapes taken in Rome and the surrounding countryside (the Roman Campagna) but also further afield in Italy and abroad. Many include archaeological and natural sites as well as monuments, art works, and homes and gardens in urban or rural scenes. Their landscape photographs offer a perspective that challenged the existing masculine gaze as developed in landscape photography under the colonial project of the British Empire. Unfettered by the archaeologist’s need for ascetic facts, the Bulwers pioneered an unusual vision of landscape, inspired by the progressive international environment of post-Unification Italy. Agnes and Dora Bulwer often photographed women, whether Italian peasants or travelling companions, presenting a social and gendered gaze that helps to reconsider this period in the light of a dawning international humanitarianism. In spite of their photographic legacy, Agnes and Dora Bulwer remain relatively unknown in the growing field of rediscovered early female photographers connected to archaeology or travel photography. This article reveals their work within a cross-cultural, historical and phenomenological analysis, contributing a new chapter to women’s photographic history, to travel and landscape photography and to the history of British photographers working in Italy.
Ključne besede: history of photography, landscape photography, archive, gender, archaeology, cultural tourism, travel photography, Italy, Rome, Roman Campagna, Post-Unification, Post-Risorgimento, Britain, British Empire, United Kingdom, colonialism, Victorian, Edwardian, humanitarian socialism, nineteenth century, twentieth century
Objavljeno v RUNG: 11.01.2023; Ogledov: 1922; Prenosov: 0
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Principles of Postgrowth in Avant-garde and New Media Art
Kristina Pranjić, Peter Purg, prispevek na konferenci brez natisa

Ključne besede: Avant-garde art, new media art, degrowth, post-growth
Objavljeno v RUNG: 03.11.2022; Ogledov: 1237; Prenosov: 0
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Transgressions and transmissions of the New European Bauhaus
Peter Purg, Kristina Pranjić, 2022, objavljeni povzetek znanstvenega prispevka na konferenci

Ključne besede: Bauhaus, New European Bauhaus, historical avant-garde, new media art, radical change, degrowth, post-growth
Objavljeno v RUNG: 06.09.2022; Ogledov: 1602; Prenosov: 0
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Transformation of modernist memorial sites in the post-Yugoslav context
Gal Kirn, 2012, samostojni znanstveni sestavek ali poglavje v monografski publikaciji

Ključne besede: Yugoslav modernism, partisan monuments, Yugoslavia, post-Yugoslavia, damnatio memoriae, return of fascism, historical revisionism, Bakic
Objavljeno v RUNG: 05.01.2021; Ogledov: 2499; Prenosov: 0
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The Multicultural Cities of Plovdiv and Ruse Through the Eyes of Elias Canetti and Angel Wagenstein. Two “Post-Ottoman” Jewish Writers
Giustina Selvelli, 2019, objavljeni povzetek znanstvenega prispevka na konferenci

Opis: The aim of my presentation is to illustrate the cosmopolitan setting of the Bulgarian cities of Ruse and Plovdiv during the first half of the 20th Century, as depicted in the memoirs of two Sephardic Jewish writers: Elias Canetti (born in Ruse) and Angel Wagenstein (born in Plovdiv). Particular attention will be devoted to the role played by the Jewish communities during the Ottoman and post-Ottoman period, in terms of their contribution to the economic and cultural life of the cities. Canetti was born in 1905, in post-Ottoman Ruse, while Wagenstein was born in Plovdiv in 1922, in the after-war period. Notwithstanding these years of difference, the situation in the two cities appeared rather similar: the Sephardic Jews were still living as a distinct unity in terms of religion and language, being able to keep their own cultural identities alive. The memoirs of Canetti and Wagenstein are quite significant as they come from a later period, expressing a principle of “nostalgia” as the process of “de-Ottomanization” had almost completely been carried out. For what concerns Canetti, the memories of Ruse occupy a special place in his novel Die Gerettete Zunge (The tongue set free,1977): the writer recalls a fascinating setting, characterized by a Babylonian confusion of languages, where the most diverse nationalities crossed and met, such as Russians, Jews, Romanians, Roma and Armenians. In relation to Plovdiv, in his novel Dalech ot Toledo (Far from Toledo, 2002), apart from the Bulgarian majority, Wagenstein describes the lively presence of the Turkish, Jewish, Armenian, Greek and Roma communities, defining their patterns of daily interactions as a specific model of interethnic coexistence. By relating to the composite legacy of their home towns, Canetti and Wagenstein stand out as highly multicultural Jewish personalities, acknowledging the importance of the different cultural worlds they were exposed to, not only the Jewish and Bulgarian, but also the Turkish and in general the “Oriental” ones.
Ključne besede: Elias Canetti, Angel Wagenstein, Plovdiv, Ruse, Bulgaria, Multiethnic cities, Post-Imperial Legacy
Objavljeno v RUNG: 22.12.2020; Ogledov: 4015; Prenosov: 0
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