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1.
The Repertoires of Slovak and Slovenian theatre houses and their productions of the West European and American authors (1945-1970)
Rok Andres, 2017, izvirni znanstveni članek

Najdeno v: ključnih besedah
Ključne besede: repertoire, Western European authors, Slovenian theatre, Slovak theatre, performances
Objavljeno: 09.10.2017; Ogledov: 3345; Prenosov: 0
.pdf Polno besedilo (7,69 MB)

2.
The theatre and culture in the period of an artistic progress
Rok Andres, 2017, objavljeni povzetek znanstvenega prispevka na konferenci

Najdeno v: ključnih besedah
Ključne besede: theatre history, 1960s, experimental groups, institutional theatre
Objavljeno: 09.10.2017; Ogledov: 3457; Prenosov: 0
.pdf Polno besedilo (1,17 MB)

3.
THE RECEPTION OF THE WEST-EUROPEAN AND AMERICAN PLAYWRIGHTS IN SLOVENIAN DRAMA AND THEATRE (1945–1970)
Rok Andres, 2019, doktorska disertacija

Najdeno v: ključnih besedah
Ključne besede: reception, drama, Slovenian drama, theatre history, existentialism, absurd drama, SNG Drama Ljubljana, western playwrights
Objavljeno: 27.08.2019; Ogledov: 3023; Prenosov: 182
.pdf Polno besedilo (1,47 MB)

4.
Engaging Bodies Through Expanded Art Practice
Asja Apolonia Trost, 2020, magistrsko delo

Opis: The master thesis entitled “Engaging Bodies Through Expanded Art Practice” is divided in two parts: the first one is the theoretical part which places socially engaged arts in the time-line of contemporary art, followed by an overview of my practical work entitled “Obsolete Properties”. The central aim of the theoretical part is to determine the structures of socially engaged art projects, with all their ambiguities, caused by the inherent connection between the social and the artistic. Topics of such process-based interdisciplinary and participatory art projects reflect at the same time on cultural traditions as well as on current social issues. The second part is an analysis of the artwork I created and set in different contexts. It consists of common materials that arrived into my hands after their previous owners moved their homes. The artwork celebrates artistic process and environmental sustainability while on the other side serves as an agent on the discourse of values.
Najdeno v: ključnih besedah
Povzetek najdenega: ...LABORATION #PUBLIC_SPACE #AESTHETICS #POLITICS #ETHICS #INTERACTIVITY #DESIGN # THEATRE #EDUCATION #AUTHORITY #ART_STUDENT #ART_OBJECT #SYSTEM #KNOWLEDGE #PLASTIC #SC...
Ključne besede: #ART #ENGAGED_ART #ART_PRACTICE #SOCIAL_PRACTICE #SOCIALLY_ENGAGED_ART #CONTEMPORARY_ART #PROCESS #MEDIA #FORM #PERFORMANCE #PARTICIPATION #COLLABORATION #PUBLIC_SPACE #AESTHETICS #POLITICS #ETHICS #INTERACTIVITY #DESIGN #THEATRE #EDUCATION #AUTHORITY #ART_STUDENT #ART_OBJECT #SYSTEM #KNOWLEDGE #PLASTIC #SCULPTURE #FINE_ARTS #INTERMEDIA_ART #VALUES #FREEDOM_OF_EXPRESION #DOCUMENTATION #AUDIENCE #TRASH #MATERIAL #SUSTAINABILITY #CONSERVATION #CONTEXT #TEMPORARY_EXPERIENCE_ZONE #TEZ #WAR #HOLOCAUST
Objavljeno: 20.07.2020; Ogledov: 2592; Prenosov: 99
.pdf Polno besedilo (5,36 MB)

5.
Was Dancing Possible During the Fascist Occupation of Yugoslavia?
Gal Kirn, 2020, izvirni znanstveni članek

Najdeno v: ključnih besedah
Ključne besede: Marta Paulin-Brina, Josip Broz Tito, Yugoslavia, partisan performances, dance, People’s Liberation Struggle, intermediality, photographic archive of the liberation, Anthem to Agitational Theatre.
Objavljeno: 23.12.2020; Ogledov: 1625; Prenosov: 0
.pdf Polno besedilo (235,38 KB)
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