Izpis gradiva

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Naslov: FILMIC QUALITIES OF ARTIFICIAL WORLDS: WHY VIRTUAL AND AUGMENTED REALITY? Avtorji: ID Purg, Peter (Drugo) Datoteke: Gradivo nima datotek, ki so prostodostopne za javnost. Gradivo je morda fizično dosegljivo v knjižnici fakultete, zalogo lahko preverite v COBISS-u.  Jezik: Angleški jezik Vrsta gradiva: Delo ni kategorizirano Tipologija: 3.25 - Druga izvedena dela Organizacija: UNG - Univerza v Novi Gorici Opis: An increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them world An increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them world An increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them world An increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them world An increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them world An increasing number of filmmakers and film exhibitors, among them world An increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them world An increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them world An increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them world An increasing number of filmmakers and film exhibitors, among them world An increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them world An increasing number of filmmakers and film exhibitors, among them world An increasing number of filmmakers and film exhibitors, among them world An increasing number of filmmakers and film exhibitors, among them world An increasing number of filmmakers and film exhibitors, among them world An increasing number of filmmakers and film exhibitors, among them world An increasing number of filmmakers and film exhibitors, among them world An increasing number of filmmakers and film exhibitors, among them world An increasing number of filmmakers and film exhibitors, among them world An increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them world -renowned directors and film renowned directors and film renowned directors and film renowned directors and film renowned directors and film renowned directors and film renowned directors and film renowned directors and film renowned directors and film renowned directors and film renowned directors and film renowned directors and film renowned directors and film renowned directors and film renowned directors and film renowned directors and film renowned directors and film renowned directors and film festivals, have been recently flirting with the newest technologies of artificial reality. 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Ključne besede: VR, XR, augmented, vritual, reality Kraj izvedbe: Izola, Palača Manzioli, festival Kinootok Leto izvedbe: 2018 PID: 20.500.12556/RUNG-3968-ad38a5dc-2040-683b-1d8a-717c71159fae  COBISS.SI-ID: 5167611  NUK URN: URN:SI:UNG:REP:TWZJLQGY Datum objave v RUNG: 13.06.2018 Število ogledov: 4645 Število prenosov: 0 Metapodatki:    Citiraj gradivo Navadno besedilo BibTeX EndNote XML EndNote/Refer RIS ABNT ACM Ref AMA APA Chicago 17th Author-Date Harvard IEEE ISO 690 MLA Vancouver : Kopiraj citat

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Sekundarni jezik

Jezik:	Slovenski jezik
Naslov:	FILMIČNOST UMETNIH SVETOV: ZAKAJ NAVIDEZNA IN RAZŠIRJENA RESNIČNOST?
Opis:	Nekateri filmski ustvarjalci in prikazovalci, med njimi svetovno prepoznavni režiserji in najvidnejši filmski festivali, se v zadnjih letih vse intenzivneje spogledujejo z najnovejšimi tehnologijami navidezne resničnosti. Ponujajo navidezno resničnost (ang. virtual reality), doživetje razširjene ali dopolnjene resničnosti (ang. augmented reality), transmedijsko podajanje zgodb itd. Pri tem se vprašanja o ne-filmičnosti tovrstnih del vzporejajo z obeti vznemirljivih možnosti prepletanja filmske ali video ter zvočne umetnosti z navideznimi svetovi in tehnologijami prihodnosti. Te s seboj prinašajo nove prakse in možnosti ustvarjalnosti, pa naj gre za potopitev v navidezne svetove, razvoj domišljijskih likov, kompleksno pripovedovanje zgodb, tako v službi visoke umetnosti kot zgolj trženjskih ciljev. Kako obravnavati ta (navidezno) svež pojav v filmskem svetu? Morda gre samo za nove izvedbe zamisli s samega začetka kina?
Ključne besede:	VR, XR, razširjena, navidezna, resničnost

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