Repozitorij Univerze v Novi Gorici

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Naslov:Italian Humanist Photography from Fascism to the Cold War
Avtorji:ID Caruso, Martina, University of Nova Gorica (Avtor)
Datoteke: Gradivo nima datotek, ki so prostodostopne za javnost. Gradivo je morda fizično dosegljivo v knjižnici fakultete, zalogo lahko preverite v COBISS-u. Povezava se odpre v novem oknu
Jezik:Angleški jezik
Vrsta gradiva:Delo ni kategorizirano
Tipologija:2.01 - Znanstvena monografija
Organizacija:UNG - Univerza v Novi Gorici
Opis:Spanning four decades of radical political and social change in Italy, this interdisciplinary study explores photography’s relationship with Italian painting, film, literature, anthropological research and international photography. Evocative and powerful, Italian social documentary photography from the 1930s to the 1960s is a rich source of cultural history, reflecting a time of dramatic change. This book shows, through a wide range of images (some published for the first time) that to fully understand the photography of this period we must take a more expansive view than scholars have applied to date, considering issues of propaganda, aesthetics, religion, national identity and international influences. By setting Italian photography against a backdrop of social documentary and giving it a distinctive place in the global history of photography, this exciting volume of original research is of interest to art historians and scholars of Italian and visual culture studies.
Ključne besede:History of photography, documentary photography, social photography, humanist photography, painting, film, literature, anthropology, fascism, antifascism, Mussolini, resistance, partisans, masculinity, peasants, ruralism, religion, Catholicism, Carlo Levi, Christ Stopped at Eboli, propaganda, national identity, aesthetics, politics
PID:20.500.12556/RUNG-7866 Novo okno
COBISS.SI-ID:137803011 Novo okno
NUK URN:URN:SI:UNG:REP:1ZPRIYPX
Datum objave v RUNG:16.01.2023
Število ogledov:1612
Število prenosov:0
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