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Naslov:Slovenian bio-art, new materialism and posthuman feminism : an introductory lecture at the conference "The Life of Signals?"
Avtorji:ID Purg, Peter (Avtor)
Datoteke: Gradivo nima datotek, ki so prostodostopne za javnost. Gradivo je morda fizično dosegljivo v knjižnici fakultete, zalogo lahko preverite v COBISS-u. Povezava se odpre v novem oknu
Jezik:Angleški jezik
Vrsta gradiva:Neznano
Tipologija:3.16 - Vabljeno predavanje na konferenci brez natisa
Organizacija:UNG - Univerza v Novi Gorici
Opis:This study explores Slovenian bio-art through the lens of new materialism and feminist posthumanism, focusing on six prominent artists: Saša Spačal, Robertina Šebjanič, Špela Petrič, Doroteja Dolinšek, Zoran Srdič Janežič, and Maja Smrekar. Their work interrogates interspecies relationships, ecological entanglements, and technological mediation, offering critical insights into contemporary bio-media practices. Positioned within a robust institutional framework of long-standing associations and a national funding scheme, these artists have achieved international recognition while contributing significantly to the development of intermedia art globally. Exemplified by a selected artwork each, their artistic practices are situated within new materialist, media ecological and posthuman feminist theoretical discourses. The paper highlights how contemporary bio-artistic practices challenge anthropocentric narratives, foster multispecies ethics, and redefine both uman and non-human agency. The particular ecosystem of the globally entangled yet in some ways also specifically Slovenian bio-art may demonstrate how artistic practices can facilitate ecological awareness and technological critique while fostering alternative modes of knowing, and eventually contribute to positioning art as a transformative force in contemporary cultural discourse.
Ključne besede:Slovenian bio-art, feminist posthumanism, new materialism, political ecology, media anthropology, Saša Spačal, Robertina Šebjanič, Špela Petrič, Doroteja Dolinšek, Zoran Srdič Janežič, Maja Smrekar
Leto izida:2025
PID:20.500.12556/RUNG-9854 Novo okno
COBISS.SI-ID:226717699 Novo okno
UDK:7.036/.038
NUK URN:URN:SI:UNG:REP:PSSAJGAG
Datum objave v RUNG:19.02.2025
Število ogledov:731
Število prenosov:0
Metapodatki:XML DC-XML DC-RDF
:
PURG, Peter, 2025, Slovenian bio-art, new materialism and posthuman feminism : an introductory lecture at the conference „The Life of Signals?“ The Life of Signals?: [na spletu]. Berlin, 2025. [Dostopano 28 april 2025]. Pridobljeno s: https://repozitorij.ung.si/IzpisGradiva.php?lang=slv&id=9854
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Gradivo je del monografije

Naslov:The Life of Signals?:
Kraj izida:Berlin
Leto izida:2025

Sekundarni jezik

Jezik:Ni določen
Naslov:Slovenian Bio-Art, New Materialism and Posthuman Feminism : Humboldt Universität, Berlin, Germany, on February 18-20, 2025
Opis:This study explores Slovenian bio-art through the lens of new materialism and feminist posthumanism, focusing on six prominent artists: Saša Spačal, Robertina Šebjanič, Špela Petrič, Doroteja Dolinšek, Zoran Srdič Janežič, and Maja Smrekar. Their work interrogates interspecies relationships, ecological entanglements, and technological mediation, offering critical insights into contemporary bio-media practices. Positioned within a robust institutional framework of long-standing associations and a national funding scheme, these artists have achieved international recognition while contributing significantly to the development of intermedia art globally. Exemplified by a selected artwork each, their artistic practices are situated within new materialist, media ecological and posthuman feminist theoretical discourses. The paper highlights how contemporary bio-artistic practices challenge anthropocentric narratives, foster multispecies ethics, and redefine both uman and non-human agency. The particular ecosystem of the globally entangled yet in some ways also specifically Slovenian bio-art may demonstrate how artistic practices can facilitate ecological awareness and technological critique while fostering alternative modes of knowing, and eventually contribute to positioning art as a transformative force in contemporary cultural discourse.
Ključne besede:Slovenian bio-art, feminist posthumanism, new materialism, political ecology, media anthropology, Saša Spačal, Robertina Šebjanič, Špela Petrič, Doroteja Dolinšek, Zoran Srdič Janežič, Maja Smrekar


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