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144. Marica Nadlišek Bartol and her editorial network around the first Slovenian women's newspaper SlovenkaKatja Mihurko, Narvika Bovcon, 2019, objavljeni povzetek znanstvenega prispevka na konferenci Opis: This paper aims to present the editorial practice of Marica Nadlišek Bartol, who edited the first Slovenian women's newspaper Slovenka (1897-1902) in the first three years of it's publishing. Nadlišek Bartol saw in the publishing of women's writings the main accomplishment of her editorship. She encouraged Sloveanian women to take up the pen and write down their feelings and reflections. Since Slovenian women writers entered the literary field not earlier than in 1848 there had been almost no role models in the national literary tradition. Nadlišek knew how to approach this problem: she had published the translations from and about foreign women writers and prompted the dialog between Slovenian women writers and their foreign counterparts. The paper examines which women writers were presented in the newspaper Slovenka and in which ways, how the articles about them caused the discussions on different topics concerning women's emancipations on the pages of the newspaper and in the public life, and how the fact that Slovenka was published on the national fringes in the multiethnical space of Trieste influenced Nadlišek's editorial practice. By using the data from the Virtual Research Enviroment Women Writers this paper also explores the possibilites of visual representation of Nadlišek's editorial network.
Ključne besede: Marica Nadlišek Bartol, Slovenka, Ljubljanski zvon, Dom in svet, Virtual Research Enviroment Women Writers, digital humanities
Objavljeno v RUNG: 16.05.2019; Ogledov: 3427; Prenosov: 234
 Celotno besedilo (455,00 KB)
Gradivo ima več datotek! Več... |
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146. Teaching women writers with NEWW Virtual Research EnvironmentKatja Mihurko, Narvika Bovcon, Marie Nedregotten Sørbø, Viola Parente-Čapková, Amelia Sanz, Suzan Van Dijk, Aleš Vaupotič, 2018, objavljeni povzetek znanstvenega prispevka na konferenci Opis: The underrepresentation of women in cultural historiography has challenged a number of feminist responses in the form of supplementary female canons since the 1970s. The DARIAH Working Group Women Writers in History (https://www.dariah.eu/activities/working-groups/women-writers-in-history/) takes this task a step further, and investigates historical sources until 1930 to find out whether female authors were read in the past. The objective of the DARIAH Working Group WWIH is: to carry out research about female authorship in history, the international reception of women’s writing and the connections between women authors. Evidence of readership, translations and commentary is contained in the digital repository NEWW VRE (Virtual Research Environment) http://resources.huygens.knaw.nl/womenwriters, which serves as a collaborative research tool for the above mentioned working group.
Ključne besede: digital humanities, literary history, women writers
Objavljeno v RUNG: 15.04.2019; Ogledov: 4014; Prenosov: 115
Celotno besedilo (619,38 KB) |
147. Zgodnje slovenske pravljičarke: gradivo za seminar Slovenska in evropska literarna ter ljudska dediščina – pravljice v slovenskem vzgojno-izobraževalnem sistemu od vrtca do srednje šoleKatja Mihurko, drugo učno gradivo Ključne besede: Ljudmila Prunk, Marica Gregorič Stepančič, Lea Fatur, Ilka Vašte, Manica Koman, Sonja Sever, Marija Jezernik, Marija Wirgler, Anka Nikolič, Marijana Grasellini Prosenc
Objavljeno v RUNG: 15.03.2019; Ogledov: 3339; Prenosov: 119
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149. Osebni glas v literarnih besedilih in pismih Zofke KvederTjaša Bajc, 2019, magistrsko delo Opis: V svoji magistrski nalogi kronološko obravnavam zasebna, javna in odprta pisma ter prvoosebna literarna besedila prve slovenske poklicne pisateljice Zofke Kveder. V pismih in literarnih delih se osredinjam predvsem na prisotnost kategorije osebnega glasu. Z raziskavo, ki temelji na analizi tradicionalnih in modernih pripovednih postopkov, želim ugotoviti, v kolikšni meri je pripovedujoči jaz prisoten v besedilu in na kakšen način se skozi prvoosebno pripovedovalko razkriva tudi pisateljica sama. Hkrati posegam tudi na področje feministične literarne vede, saj izpostavljam upodabljanje ženskih likov in reprezentacije ženskosti, ki se razkrivajo kot psihogram nove ženske.
Ključne besede: osebni glas, pisma, prvoosebna pripovedovalka, naratologija, pripovedni postopki, Zofka Kveder
Objavljeno v RUNG: 20.02.2019; Ogledov: 4812; Prenosov: 161
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