Opis: The paper discusses a case study of the integration of artistic practice in the digital humanities research. The methodology of encoding meaning in visual form is explained for four different sculptures and an artist book. The approach is tied to the allegoric thinking in building emblems and miniatures in the history of art (16th century and later). The use of diagrams is integrated in the experimental projections of a future archeology. The data of digital humanities research can achieve greater visibility and address a wider cultural context when presented in collaboration with art institutions.Ključne besede: digital humanities, information visualization, 3-D print, art and scienceObjavljeno v RUNG: 15.04.2019; Ogledov: 4135; Prenosov: 80 Celotno besedilo (31,88 MB)
