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41.
42.
Béla Balázs and the Eye of the Microscope
Eszter Polonyi, 2012, izvirni znanstveni članek

Opis: This study explores the significance of the cinematic close-up to one of the earliest theories of film, produced by Béla Balázs, on the basis of a widespread technique of microscopy in the life sciences, notably in the work of his brother Evin Bauer, a theorist of microbiology. Balázs imagines that silent film records life in its immanence and spontaneity by virtue of what he calls the “physiognomic” nature of its signs. Rather than generating signs that must be passed through an alphabetic cipher, as had been required under the regime of the written or literary, Balázs presents film as liberating our access to the flow of optical data. Interestingly, however, Balázs retains the need otherwise characteristic of scientific analysis for dividing up the image into semiotic units, what he describes as “atomization.” He insists on returning the real to a symbolic order and making film into a language.
Ključne besede: film history, media studies, science and technology studies, Weimar cinema, media archaeology
Objavljeno v RUNG: 10.12.2020; Ogledov: 2688; Prenosov: 0
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43.
Media archaeology in cinema studies and art history: a response to Thomas Elsaesser’s ‘Media Archaeology as Symptom’
Eszter Polonyi, 2016, kratki znanstveni prispevek

Ključne besede: art history, media studies, media archaeology, new film history
Objavljeno v RUNG: 10.12.2020; Ogledov: 2608; Prenosov: 0
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44.
45.
Eisenstein, Vertov and Medvedkin: revolutionary “cinefication” and communist subjectivity
Gal Kirn, 2017, izvirni znanstveni članek

Opis: The major hypothesis of this article is that revolution was first “cinefied” in the Soviet context, which suggests that film was able to imagine, produce, narrate and circulate the image of (the October) (R)revolution. In this context, I will attempt to elaborate on the concept of “cinefication” here taken from Pavle Levi’s book Cinema by Other Means (2012). Levi has shown that cinefication should not be seen only as an official Soviet policy that build the cinematic infrastructure across the country and spread the revolution by trains. Rather, cinefication should be seen as the emergence of an apparatus with intensified technological capacities and also as the specific modality-genealogy of avant-garde methods within cinema. In order to understand the emergence of (avant-garde) film one should actually take into account non-cinematic means, which in their turn produced cinematic effects. My hypothesis shifts the stress on these interdisciplinary, inter-medial resources to the more general relationship between revolution and cinema/film. In short, the October Revolution continued “by other means” in cinema/film. Therefore we will not be interested in a vulgar materialist analysis that engages in a mere reflection of the October Revolution on screen (revolution as matter), but rather in how the revolution was “refracted,” displaced or replaced and actually continued by new Soviet cinema.
Ključne besede: cinema-train, cinefication, revolutionary cinema, cinema on revolution, October, Medvedkin, Eisenstein, Vertov, communist subjectivity, emancipation, workers' history
Objavljeno v RUNG: 19.08.2020; Ogledov: 2521; Prenosov: 0
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46.
Beyond Neoliberalism : Social Analysis after 1989
Gal Kirn, Marian Burchardt, 2017, znanstvena monografija

Opis: This book explores how changes that occurred around 1989 shaped the study of the social sciences, and scrutinizes the impact of the paradigm of neoliberalism in different disciplinary fields. The contributors examine the ways in which capitalism has transmuted into a seemingly unquestionable, triumphant framework that globally articulates economics with epistemology and social ontology. The volume also investigates how new narratives of capitalism are being developed by social scientists in order to better understand capitalism’s ramifications in various domains of knowledge. At its heart, Beyond Neoliberalism seeks to unpack and disaggregate neoliberalism, and to take readers beyond the analytical limitations that a traditional framework of neoliberalism entails.
Ključne besede: neoliberalism, end of socialism, end of "end of history", transition discourse, end of welfare state, privatisation, deregulation
Objavljeno v RUNG: 19.08.2020; Ogledov: 2400; Prenosov: 0
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47.
Augmented Reality and Chronotopicality : Literary Itineraries in Gorizia, Trieste and Duino
Narvika Bovcon, Aleš Vaupotič, prispevek na konferenci brez natisa

Opis: The reality-virtuality continuum (Paul Milgram et al., 1994) establishes a foundational mixed reality as a spectrum of intermediate options. The ICT based databases are increasingly superimposed on and integrated in our life-world. The new media art – and contemporary media in general – can be seen through two points of view: the technical aspect where the reality is supplemented by (3-D, networked) computerbased data. Secondly, the augmented reality can be construed as a real superimposition of different realities, that is foregrounded using Mikhail Bakhtin’s notion of chronotopicality. The MAST symposium (18. & 19.11.2019, ex-Daimond (xD), Nova Gorica, Slovenia), Pixxelpoint 2019.
Ključne besede: augmented reality, literary history, literatures in contact, EDUKA2
Objavljeno v RUNG: 18.11.2019; Ogledov: 3315; Prenosov: 0
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48.
49.
Teaching women writers with NEWW Virtual Research Environment
Katja Mihurko, Narvika Bovcon, Marie Nedregotten Sørbø, Viola Parente-Čapková, Amelia Sanz, Suzan Van Dijk, Aleš Vaupotič, 2018, objavljeni povzetek znanstvenega prispevka na konferenci

Opis: The underrepresentation of women in cultural historiography has challenged a number of feminist responses in the form of supplementary female canons since the 1970s. The DARIAH Working Group Women Writers in History (https://www.dariah.eu/activities/working-groups/women-writers-in-history/) takes this task a step further, and investigates historical sources until 1930 to find out whether female authors were read in the past. The objective of the DARIAH Working Group WWIH is: to carry out research about female authorship in history, the international reception of women’s writing and the connections between women authors. Evidence of readership, translations and commentary is contained in the digital repository NEWW VRE (Virtual Research Environment) http://resources.huygens.knaw.nl/womenwriters, which serves as a collaborative research tool for the above mentioned working group.
Ključne besede: digital humanities, literary history, women writers
Objavljeno v RUNG: 15.04.2019; Ogledov: 3836; Prenosov: 115
.pdf Celotno besedilo (619,38 KB)

50.
Urban Conservation System in China and Its Improvement by Using Historic Urban Landscape Approach
Chen Shujie, 2018, doktorska disertacija

Opis: In the last few decades, the Modern Conservation Movement has developed from European-limited practices into a global movement with universal common views and practical measures for managing heritage resources in different cultural contexts. As an innovative idea of this movement, the Historic Urban Landscape approach aims to protect and manage historic urban environments with respect to both the fundamental principles in the international doctrines and the local social/cultural/historical contexts. It recommends local authorities to use the HUL toolkit to identify, conserve and manage the overall landscape of their historic cities. In the case of China, who is an old civilization, a modern nation and a socialist country at the same time, the conservation practice needs to follow the basic and common conservation principles in the international doctrines, and meanwhile, it shall make its initiatives based on the actual social, cultural and political situations. The establishment of Historically and Culturally Famous City (HCF City in short) system is a positive attempt for such a purpose. The system manages various urban elements relating to the city’s historical and cultural features under a comprehensive notion of HCF City. However, the system is not prefect because it depends excessively on the top-down management of local governments, and also because it overlooks the spatial and spiritual relationships among the protected elements... The thesis provides a big picture of architectural and urban conservation practices in China. It introduces the forming process and the characteristics of historic urban fabric, as well as the history of urban conservation. Then, it takes a deep look at the existing HCF City system, including its basic ideas, structures and mechanism. It analyses the system’s initiatives and deficiencies. Finally, it provides feasible advices to improve the current system by using the HUL toolkit.
Ključne besede: Urban, History, Heritage, Conservation, Management International Principles, Modern Conservation Movement, Globalization, Localization Historic Urban Area, Historically and Culturally Famous Cities, Conservation System, Historic Urban Landscape Chinese Architecture, Chinese Urban Planning, Conservation History, Policy
Objavljeno v RUNG: 11.02.2019; Ogledov: 4094; Prenosov: 48
.pdf Celotno besedilo (217,96 MB)

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