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Title:Šiška (p)osebno : Ozadje razvoja avtorskega dokumentarnega filma
Authors:ID Hribernik, Jasna (Mentor) More about this mentor... New window
ID Vrhovec, Boštjan (Mentor) More about this mentor... New window
ID Schreilechner, Dino (Author)
Files:.pdf Dino_Schreilechner.pdf (3,00 MB)
MD5: 82EEAAC1E92E4062C0AC5C2FFE5422C8
 
.zip RAZ_Schreilechner_Dino_i2015.zip (499,81 MB)
MD5: 0D5D5C78D75D1E92457AFB20C2A6D5E7
 
Language:Slovenian
Work type:Bachelor thesis/paper
Typology:2.11 - Undergraduate Thesis
Organization:VŠU - School of Arts
Abstract:Namen teoretičnega dela diplomske naloge je osvetliti ozadje razvoja praktičnega diplomskega projekta, kratkega dokumentarnega filma Šiška (p)osebno. Besedilo na naslednjih straneh je zato sestavljeno iz dveh sklopov: Prvi del je namenjen vzpostavitvi žanrskega in zgodovinskega konteksta, v katerem je nastajal diplomski film. V njem je strnjeno povzetih več kot 120 let razvoja dokumentarnega filma v - vse od prvih posnetkov resničnega dogajanja prek razvoja avtorskega izraza v tridesetih, medvojnega in povojnega obdobja do velikih sprememb in novih možnosti, ki jih prinaša digitalizacija. Posebna pozornost je namenjena kratkemu pregledu zgodovine slovenskega filma in predstavitvi najbolj uveljavljenega načina klasifikacije dokumentarnih filmov glede na način reprezentacije. Prvi del zaokrožuje kratek teoretski uvod v promocijo dokumentarnih filmov - področje, ki je še danes pogosto zapostavljeno. Drugi del predstavlja podroben opis nastajanja avtorskega dokumentarnega projekta - od ideje in okoliščin, ki so pripeljale do izbire teme prek obširnih raziskav, strukturiranja zgodbe in priprave scenarija. Iskreno so predstavljene vse težave, s katerimi se avtor srečuje pri produkciji, torej snemanju filma, in izzive, ki jih novincu na tem področju postavlja postprodukcija - torej montaža posnetega gradiva v smiselno celoto ter dodatna obdelava slike in zvoka, ki bistveno prispevata k kakovosti končnega izdelka. Besedilo se zaključi s pregledom najbolj kritičnih točk v praktičnega projekta ter razmislekom o možnih izboljšavah in nadgradnji projekta.
Keywords:dokumentarni film, produkcija, video, film, dokumentaristika, zgodovina, Ljubljana, Šiška 
Place of publishing:Nova Gorica
Year of publishing:2015
PID:20.500.12556/RUNG-1985 New window
COBISS.SI-ID:4038651 New window
NUK URN:URN:SI:UNG:REP:J8I07SIF
Publication date in RUNG:24.09.2015
Views:8259
Downloads:289
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Secondary language

Language:English
Title:Šiška, Up-Close and Personal : Development Process of a Short Documentary Film
Abstract:The purpose of the theoretical part of this thesis is revealing the background of the making of the practical part: a short documentary film Šiška, Up-Close and Personal (Šiška (p)osebno). The content of the following pages consists of two parts: By exploring both history and conventions of the genre, the first part establishes a context for the above-mentioned short documentary. It summarizes the 120-year long history and development of a documentary film – from the very first shots of non-fictional events through establishment of personal perspectives in the 30’s, the World Wars period ... to the big changes and new opportunities brought by the digital revolution. In a separate chapter the history of documentary making in Slovenia is summarised. Following that is a chapter describing the most common classification of documentaries by different modes of representation and finally, a chapter dedicated to promotion of documentary films – a subject often neglected or overlooked by documentary-makers. The second part of the thesis describes in detail the process of developing a documentary Šiška (p)osebno – from the initial idea and circumstances that led to choosing the subject to extensive research, structuring of the story and making of the script. In this part, the methods used are described, as well as challenges and obstacles that had to be overcome in the making of the author’s debut documentary in all phases of the process – pre-production, production and post-production. Finally, I sum the most critical parts of the process are sumed-up and some thoughts are offered by the author on possible improvements as well as on possible further development of the project.
Keywords:documentary film, production, video, film, history, Ljubljana, Šiška


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