Repozitorij Univerze v Novi Gorici

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Naslov:Apstraktni dinamički ambijent Avgusta Černigoja i tršćanske konstruktivističke grupe
Avtorji:ID Pranjić, Kristina (Avtor)
Datoteke: Gradivo nima datotek, ki so prostodostopne za javnost. Gradivo je morda fizično dosegljivo v knjižnici fakultete, zalogo lahko preverite v COBISS-u. Povezava se odpre v novem oknu
Jezik:Slovenski jezik
Vrsta gradiva:Neznano
Tipologija:1.16 - Samostojni znanstveni sestavek ali poglavje v monografski publikaciji
Organizacija:UNG - Univerza v Novi Gorici
Opis:The article presents the Trieste Constructivist Cabinet (1927) by Slovenian avant-gardist Avgust Černigoj and his Constructivist group, as one of the significant events in the context of abstract artistic ambient of historical avant-garde. El Lissitzky’s Proun is pointed out as the greatest influence on this artwork, while at the same time presenting the thesis of its original contribution, in the sense of dynamization of the cabinet using Stepančič’s levitation constructions. The kinetic potential of these hanging constructions draws the visitor into a two-way communication, a permanent feedback loop. It is this continuum, the duration i.e. process nature that such an installation allowed, i.e. produces, that is placed in the forefront, alongside space and motion. In addition to this pinnacle of Slovenian avant-garde being placed in the context of European historical avant-garde, the work of the Slovenian constructivists is also contextualized within the framework of the Yugoslav avant-garde movements. Special attention is paid to the Tank magazine (1927), which started being published in Ljubljana after the ban on the publication of Zenit in 1926, in an attempt to maintain continuity in the publication of Yugoslav avant-garde periodicals. It is a known fact that Černigoj’s avant-garde art was based on constructivist principles, while the article also points out his concurrent use of subversive Dadaist principles: the process of destruction of old meanings using methods of isolation and relocation of artistic material, in the sense of ready made or objet trouvé; similarly, desemantization is carried out in the linguistic material (“g”, “jublj”); use of mass produced materials (fragments of slogans that the artist transposes into artistic rhetoric); the performative nature of the entire event / exhibition. Also presented are the close ties between Slovenian constructivism and Micić’s Zenitism and Dragan Aleksić’s Dadaism, as well as the shift in the sense of forming an original program and establishing an own avant-garde formation, whose most important and most representative work is precisely the Trieste Constructivist Cabinet, which represents a characteristic synthesis of the Yugoslav and the European avant-garde tendencies at the time.
Ključne besede:Avgust Černigoj, slovenski konstruktivizem, Tržaški konstruktivistični ambient, revija Tank, El Lissitzky, Edvard Stepančič, instalacija v umetnosti, abstraktni ambient, zenitizem, dadaizem
Leto izida:2021
Št. strani:str. 347-365
PID:20.500.12556/RUNG-6839 Novo okno
COBISS.SI-ID:78881795 Novo okno
UDK:7.036/.038
NUK URN:URN:SI:UNG:REP:FXVTIXUV
Datum objave v RUNG:04.10.2021
Število ogledov:1663
Število prenosov:0
Metapodatki:XML RDF-CHPDL DC-XML DC-RDF
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Gradivo je del monografije

Naslov:Sto godina časopisa Zenit : 1921-1926-2021
Uredniki:Bojan Jović, Irina Subotić
Kraj izida:Kragujevac
Založnik:Galerija Rima, Institut za književnost i umetnost
Leto izida:2021
ISBN:978-86-7095-275-1
COBISS.SI-ID:34961417 Novo okno

Gradivo je financirano iz projekta

Financer:ARRS - Agencija za raziskovalno dejavnost Republike Slovenije
Številka projekta:Z6-1882
Naslov:Jugoslovanske avantgarde in metropolitanska dada (1916–1927): Večsmerna in transnacionalna genealogija

Sekundarni jezik

Jezik:Angleški jezik
Ključne besede:slovenski konstruktivizem, Tržaški konstruktivistični ambient, revija Tank, instalacija v umetnosti, abstraktni ambient, zenitizem, dadaizem


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