| Naslov: | Mobility Media: an Archaeology of Identity Photography through Science, Art and Visual Culture |
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| Avtorji: | ID Polonyi, Eszter, UNG (Avtor) |
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| Datoteke: |
Gradivo nima datotek, ki so prostodostopne za javnost. Gradivo je morda fizično dosegljivo v knjižnici fakultete, zalogo lahko preverite v COBISS-u.  |
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| Jezik: | Angleški jezik |
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| Vrsta gradiva: | Delo ni kategorizirano |
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| Tipologija: | 3.15 - Prispevek na konferenci brez natisa |
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| Organizacija: | UNG - Univerza v Novi Gorici
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| Opis: | n an era of total surveillance, being in possession of a biometric ID document can still result in denial of one’s basic civil protections and human rights. The discovery of systematic errors in state-implemented facial recognition programs—such as in recognizing faces of color (Joy Buolamwini)—suggests the failure of current practices of global intelligence and mobility. This paper offers an archaeological investigation of the contemporary photo ID document. Returning to its invention in the 1920s, it examines the issues of conjectural knowledge (Carl Ginzburg), embodiment or tact (Béla Balázs) and the optical unconscious (Walter Benjamin) behind early “physiognomic” media. |
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| Ključne besede: | history of photography, surveillance studies, digital humanities, art history |
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| Kraj izvedbe: | FilmForum conference, XXVIII International Film and Media Conference |
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| Leto izvedbe: | 2021 |
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| PID: | 20.500.12556/RUNG-7348 |
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| COBISS.SI-ID: | 109764867 |
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| NUK URN: | URN:SI:UNG:REP:CM5KQZPV |
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| Datum objave v RUNG: | 31.05.2022 |
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| Število ogledov: | 2303 |
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| Število prenosov: | 0 |
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| Metapodatki: |    |
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| Vaša ocena: | Ocenjevanje je dovoljeno samo prijavljenim uporabnikom. |
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