Naslov: | Women in Ruins: Agnes and Dora Bulwer's landscape photographs in Post-Risorgimento Italy |
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Avtorji: | ID Caruso, Martina, University of Nova Gorica (Avtor) |
Datoteke: |
Gradivo nima datotek, ki so prostodostopne za javnost. Gradivo je morda fizično dosegljivo v knjižnici fakultete, zalogo lahko preverite v COBISS-u. ![Povezava se odpre v novem oknu Povezava se odpre v novem oknu](teme/rungDev/img/NovoOkno.png) |
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Jezik: | Angleški jezik |
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Vrsta gradiva: | Delo ni kategorizirano |
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Tipologija: | 1.01 - Izvirni znanstveni članek |
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Organizacija: | UNG - Univerza v Novi Gorici
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Opis: | The British photographers Agnes Bulwer (1856– 1940) and her sister Dora Ellinor Bulwer (1864– 1948) left a legacy of circa 1300 photographs and 890 negatives, date from 1890 to 1913, to the British School at Rome. The photographs are principally of landscapes taken in Rome and the surrounding countryside (the Roman Campagna) but also further afield in Italy and abroad. Many include archaeological and natural sites as well as monuments, art works, and homes and gardens in urban or rural scenes. Their landscape photographs offer a perspective that challenged the existing masculine gaze as developed in landscape photography under the colonial project of the British Empire. Unfettered by the archaeologist’s need for ascetic facts, the Bulwers pioneered an unusual vision of landscape, inspired by the progressive international environment of post-Unification Italy. Agnes and Dora Bulwer often photographed women, whether Italian peasants or travelling companions, presenting a social and gendered gaze that helps to reconsider this period in the light of a dawning international humanitarianism. In spite of their photographic legacy, Agnes and Dora Bulwer remain relatively unknown in the growing field of rediscovered early female photographers connected to archaeology or travel photography. This article reveals their work within a cross-cultural, historical and phenomenological analysis, contributing a new chapter to women’s photographic history, to travel and landscape photography and to the history of British photographers working in Italy. |
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Ključne besede: | history of photography, landscape photography, archive, gender, archaeology, cultural tourism, travel photography, Italy, Rome, Roman Campagna, Post-Unification, Post-Risorgimento, Britain, British Empire, United Kingdom, colonialism, Victorian, Edwardian, humanitarian socialism, nineteenth century, twentieth century |
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Leto izida: | 2022 |
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Št. strani: | 192-219 |
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Številčenje: | 2, LXIV |
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PID: | 20.500.12556/RUNG-7844 ![Povezava se odpre v novem oknu Novo okno](teme/rungDev/img/NovoOkno.png) |
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COBISS.SI-ID: | 137269507 ![Povezava se odpre v novem oknu Novo okno](teme/rungDev/img/NovoOkno.png) |
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NUK URN: | URN:SI:UNG:REP:INBWPOAM |
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Datum objave v RUNG: | 11.01.2023 |
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Število ogledov: | 2248 |
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Število prenosov: | 0 |
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Metapodatki: | ![Izvoz v DC-RDF DC-RDF](teme/rungDev/img/icon_dc_rdf.gif) |
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