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Title:Umetnostni žanri kot okvir za raziskovanje in dolgoročno ohranjanje novomedijske umetnosti
Authors:ID Vaupotič, Aleš (Author)
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URL https://www.slogi.si/publikacije/amfiteater-revija-za-teorijo-scenskih-umetnosti-letnik-12-stevilka-2/
 
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Language:Slovenian
Work type:Unknown
Typology:1.01 - Original Scientific Article
Organization:UNG - University of Nova Gorica
Abstract:Umetnostni žanri so način razdelitve homogenega področja. Mihail Bahtin v svoji viziji dialoškosti segmentira celoten svet na govorne žanre, kar vključuje tako ideje in besedila kot stvari, ki so del kulturnih praks. Ta najsplošnejša ideja žanra v svoji visoki stopnji abstraktnosti služi namenom Bahtinovega programa prepoznati in zavarovati človeške ideje. Na konkretnejši ravni so žanri vezani na tradicijo literature in umetnosti ali pa, na obravnavanem ožjem področju, na prakso novomedijske umetnosti, v teh primerih so uporabljeni v konstrukciji in razumevanju artefaktov. Razprava je sestavljena iz treh delov. V prvem je predstavljen človekov spoznavni odnos do sveta kot odprtost za čutne vtise in hkrati tudi kot uporaba deduktivnega logičnega sklepanja, kar primerjamo z delovanjem računalnika. V drugem delu so predstavljeni žanri kot način uvajanja reda v igrivo ustvarjalnost (Scott Rettberg, Lev Manovič, Espen Aarseth); žanri so hevristična orodja, ki omogočajo sorazmerno stopnjo stabilnosti pri našem delovanju in koordinaciji v različnih kontekstih. Sklepni tretji del je posvečen raziskovanju digitalne kulturne dediščine, ki je trenutno v nevarnosti, da izgine zaradi hitrega razvoja informacijskih tehnologij ter menjav platform in standardov. Gre za projekt ohranitve spomina na t. i. informacijsko revolucijo v fiksiranem predmetu, ki pa mora ujeti vsaj določen del sporočilnosti izjave, kot se daje prek recepcije v času muzejske hrambe in predstavitve. Tako so zbirke razumljene kot proces, ki uporablja arhiv predmetov za premislek in rekonstrukcijo sodobnega trenutka.
Keywords:izvorno digitalna kulturna dediščina, umetnostni žanri, novomedijska umetnost
Publication status:Published
Publication version:Version of Record
Publication date:01.01.2024
Year of publishing:2024
Number of pages:str. 42-63
Numbering:Let. 12, št. 2
PID:20.500.12556/RUNG-9794 New window
COBISS.SI-ID:223049475 New window
UDC:7
ISSN on article:1855-4539
DOI:10.51937/Amfiteater-2024-2/42-67 New window
NUK URN:URN:SI:UNG:REP:1ALTDVRN
Publication date in RUNG:20.01.2025
Views:83
Downloads:0
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Record is a part of a journal

Title:Amfiteater : revija za teorijo scenskih umetnosti
Publisher:Akademija za gledališče, radio, film in televizijo, Društvo gledaliških kritikov in teatrologov Slovenije, Akademija za gledališče, radio, film in televizijo, Društvo gledaliških kritikov in teatrologov Slovenije, Akademija za gledališče, radio, film in televizijo, Slovenski gledališki inštitut, Slovenski gledališki inštitut, = Slovenian Theatre Institute, Založba Univerze v Ljubljani, = University of Ljubljana Press
ISSN:1855-4539
COBISS.SI-ID:239685632 New window

Document is financed by a project

Funder:ARIS - Slovenian Research and Innovation Agency
Funding programme:Raziskovalni projekt
Project number:J7-3158
Name:Trajnostna digitalna hramba slovenske novomedijske umetnosti
Acronym:TDHSNMU

Licences

License:CC BY-SA 4.0, Creative Commons Attribution-ShareAlike 4.0 International
Link:http://creativecommons.org/licenses/by-sa/4.0/
Description:This Creative Commons license is very similar to the regular Attribution license, but requires the release of all derivative works under this same license.

Secondary language

Language:Undetermined
Title:Genre Rules as a Framework for the Study and Sustainable Preservation of New Media Art
Abstract:Art genres are a way of dividing a homogeneous field. In his vision of dialogism, Mikhail Bakhtin segments the entire world into speech genres, including ideas, texts and things that are part of cultural practices. In its high degree of abstraction, this most general idea of genre serves the purpose of Bakhtin’s programme: to recognise and preserve human ideas. More concretely, genres are tied to the tradition of literature and art or, in the narrower field under consideration, to the practice of new media art. In these cases, they are used to construct and understand artefacts. The discussion consists of three parts. In the first, man’s cognitive attitude towards the world is presented as openness to sensory impressions and as the use of deductive logical reasoning, which is compared to the functioning of the computer. In the second part, genres are presented to introduce order into playful creativity (Scott Rettberg, Lev Manovich, Espen Aarseth). Genres are heuristic tools that enable relative stability in our functioning and coordination in different contexts. The concluding third part is dedicated to the research of digital cultural heritage, which is currently in danger of disappearing due to the rapid development of information technologies and changes in platforms and standards. The paper argues for preserving the memory of the information revolution in fixed objects, which must still capture at least a certain part of the original message conveyed through their reception in museum preservation and presentation. Thus, collections are understood as a process that uses an archive of objects to reconsider and reconstruct the contemporary moment.
Keywords:born-digital cultural heritage, art genres, new media art, modelling, Vuk Ćosić


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