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Title:Slovenian bio-art, new materialism and posthuman feminism : an introductory lecture at the conference "The Life of Signals?"
Authors:ID Purg, Peter (Author)
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Language:English
Work type:Unknown
Typology:3.16 - Unpublished Invited Conference Lecture
Organization:UNG - University of Nova Gorica
Abstract:This study explores Slovenian bio-art through the lens of new materialism and feminist posthumanism, focusing on six prominent artists: Saša Spačal, Robertina Šebjanič, Špela Petrič, Doroteja Dolinšek, Zoran Srdič Janežič, and Maja Smrekar. Their work interrogates interspecies relationships, ecological entanglements, and technological mediation, offering critical insights into contemporary bio-media practices. Positioned within a robust institutional framework of long-standing associations and a national funding scheme, these artists have achieved international recognition while contributing significantly to the development of intermedia art globally. Exemplified by a selected artwork each, their artistic practices are situated within new materialist, media ecological and posthuman feminist theoretical discourses. The paper highlights how contemporary bio-artistic practices challenge anthropocentric narratives, foster multispecies ethics, and redefine both uman and non-human agency. The particular ecosystem of the globally entangled yet in some ways also specifically Slovenian bio-art may demonstrate how artistic practices can facilitate ecological awareness and technological critique while fostering alternative modes of knowing, and eventually contribute to positioning art as a transformative force in contemporary cultural discourse.
Keywords:Slovenian bio-art, feminist posthumanism, new materialism, political ecology, media anthropology, Saša Spačal, Robertina Šebjanič, Špela Petrič, Doroteja Dolinšek, Zoran Srdič Janežič, Maja Smrekar
Year of publishing:2025
PID:20.500.12556/RUNG-9854 New window
COBISS.SI-ID:226717699 New window
UDC:7.036/.038
NUK URN:URN:SI:UNG:REP:PSSAJGAG
Publication date in RUNG:19.02.2025
Views:200
Downloads:0
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Record is a part of a monograph

Title:The Life of Signals?:
Place of publishing:Berlin
Year of publishing:2025

Secondary language

Language:Undetermined
Title:Slovenian Bio-Art, New Materialism and Posthuman Feminism : Humboldt Universität, Berlin, Germany, on February 18-20, 2025
Abstract:This study explores Slovenian bio-art through the lens of new materialism and feminist posthumanism, focusing on six prominent artists: Saša Spačal, Robertina Šebjanič, Špela Petrič, Doroteja Dolinšek, Zoran Srdič Janežič, and Maja Smrekar. Their work interrogates interspecies relationships, ecological entanglements, and technological mediation, offering critical insights into contemporary bio-media practices. Positioned within a robust institutional framework of long-standing associations and a national funding scheme, these artists have achieved international recognition while contributing significantly to the development of intermedia art globally. Exemplified by a selected artwork each, their artistic practices are situated within new materialist, media ecological and posthuman feminist theoretical discourses. The paper highlights how contemporary bio-artistic practices challenge anthropocentric narratives, foster multispecies ethics, and redefine both uman and non-human agency. The particular ecosystem of the globally entangled yet in some ways also specifically Slovenian bio-art may demonstrate how artistic practices can facilitate ecological awareness and technological critique while fostering alternative modes of knowing, and eventually contribute to positioning art as a transformative force in contemporary cultural discourse.
Keywords:Slovenian bio-art, feminist posthumanism, new materialism, political ecology, media anthropology, Saša Spačal, Robertina Šebjanič, Špela Petrič, Doroteja Dolinšek, Zoran Srdič Janežič, Maja Smrekar


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