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Naslov: Did the avant-garde become materialized in new media? : techno-performance and socialization Avtorji: ID Bovcon, Narvika (Avtor) ID Vaupotič, Aleš (Avtor) Datoteke: https://journals.uio.no/dhnbpub/article/view/12285/10157   Bovcon-Vaupotic-Did+the+Avant-Garde+Become+Materialized+in+New+Media+Techno-Performance+and-266.pdf (2,64 MB) MD5: F6495E61987EB22C7D1CF9BD864F9C0E   https://journals.uio.no/dhnbpub/article/download/12285/10157   To gradivo ima še več datotek. Celoten seznam je na voljo spodaj. Jezik: Angleški jezik Vrsta gradiva: Neznano Tipologija: 1.08 - Objavljeni znanstveni prispevek na konferenci Organizacija: UNG - Univerza v Novi Gorici Opis: This contribution builds on Lev Manovich's thesis that avant-garde procedures were incorporated into the very operation of software, as the computer as a meta-medium completely transcodes the reality. The text examines the foundations of computer science in mathematical formalism and considers Turing's computing machine as a starting point for the generative aspect of computer art. The generative art-making was practiced also in the neo-avant-gardes. Data processing introduces into today's world a decoupling between understanding and agency that was once thought to require active thinking. Juri Lotman's idea of periphery-centre dynamic explains the shift of mechanical and (once) avant-garde procedures to the center of the globalized culture. At the same time, the image of a human is radically changing as she finds herself in a new homogeneous environment made of information: she becomes an inforg (Luciano Floridi) together with artificial and hybrid agents. Identity as informational integrity is discussed with the examples of performances and happenings of Srečo Dragan from the conceptualist period, when he collaborated with Nuša Dragan and the extended OHO group. The discussion touches upon the latest new media works by Srečo Dragan, where a multitude of interfaces mediates between the self-awareness (memory, declaration statements) and the body of the participant, and builds an archive of connections for a society established through technology. Dragan’s idea of socialization with art foregrounds a performative educational practice that interferes with the user's identity.   Ključne besede: new media art, the avant-garde, socialization, infosphere Status publikacije: Objavljeno Verzija publikacije: Objavljena publikacija Leto izida: 2025 Št. strani: Str. 1-11 Številčenje: Vol. 7, No. 2 PID: 20.500.12556/RUNG-9891  COBISS.SI-ID: 228401667  UDK: 3 ISSN pri članku: 2704-1441 eISSN: 2704-1441 DOI: https://doi.org/10.5617/dhnbpub.12285  NUK URN: URN:SI:UNG:REP:VVMRFBXW Datum objave v RUNG: 10.03.2025 Število ogledov: 194 Število prenosov: 0 Metapodatki:    Citiraj gradivo Navadno besedilo BibTeX EndNote XML EndNote/Refer RIS ABNT ACM Ref AMA APA Chicago 17th Author-Date Harvard IEEE ISO 690 MLA Vancouver : Kopiraj citat

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Gradivo je del zbornika

Naslov:	The 9th Digital Humanities in the Nordic and Baltic Countries Conference (DHNB 2025)
COBISS.SI-ID:	228402435

Gradivo je del revije

Naslov:	Digital humanities in the Nordic and Baltic countries publications : DHNB
Založnik:	University of Oslo library
ISSN:	2704-1441
COBISS.SI-ID:	228389891

Gradivo je financirano iz projekta

Financer:	ARIS - Javna agencija za znanstvenoraziskovalno in inovacijsko dejavnost Republike Slovenije
Program financ.:	Raziskovalni projekt
Številka projekta:	J7-3158
Naslov:	Trajnostna digitalna hramba slovenske novomedijske umetnosti

Licence

Licenca:	CC BY 4.0, Creative Commons Priznanje avtorstva 4.0 Mednarodna
Povezava:	http://creativecommons.org/licenses/by/4.0/deed.sl
Opis:	To je standardna licenca Creative Commons, ki daje uporabnikom največ možnosti za nadaljnjo uporabo dela, pri čemer morajo navesti avtorja.
Začetek licenciranja:	03.03.2025

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