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151.
Reading Urban Space. An Evolving Lexicon
Peter Purg, 2018, independent professional component part or a chapter in a monograph

Keywords: urban, space, media
Published in RUNG: 13.06.2018; Views: 3474; Downloads: 0
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152.
FILMIC QUALITIES OF ARTIFICIAL WORLDS: WHY VIRTUAL AND AUGMENTED REALITY?
other performed works

Abstract: An increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them world An increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them world An increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them world An increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them world An increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them world An increasing number of filmmakers and film exhibitors, among them world An increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them world An increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them world An increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them world An increasing number of filmmakers and film exhibitors, among them world An increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them world An increasing number of filmmakers and film exhibitors, among them world An increasing number of filmmakers and film exhibitors, among them world An increasing number of filmmakers and film exhibitors, among them world An increasing number of filmmakers and film exhibitors, among them world An increasing number of filmmakers and film exhibitors, among them world An increasing number of filmmakers and film exhibitors, among them world An increasing number of filmmakers and film exhibitors, among them world An increasing number of filmmakers and film exhibitors, among them world An increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them world -renowned directors and film renowned directors and film renowned directors and film renowned directors and film renowned directors and film renowned directors and film renowned directors and film renowned directors and film renowned directors and film renowned directors and film renowned directors and film renowned directors and film renowned directors and film renowned directors and film renowned directors and film renowned directors and film renowned directors and film renowned directors and film festivals, have been recently flirting with the newest technologies of artificial reality. Such works offer virtual festivals, have been recently flirting with the newest technologies of artificial reality. Such works offer virtual festivals, have been recently flirting with the newest technologies of artificial reality. Such works offer virtual festivals, have been recently flirting with the newest technologies of artificial reality. Such works offer virtual festivals, have been recently flirting with the newest technologies of artificial reality. Such works offer virtual festivals, have been recently flirting with the newest technologies of artificial reality. Such works offer virtual festivals, have been recently flirting with the newest technologies of artificial reality. Such works offer virtual festivals, have been recently flirting with the newest technologies of artificial reality. Such works offer virtual festivals, have been recently flirting with the newest technologies of artificial reality. Such works offer virtual festivals, have been recently flirting with the newest technologies of artificial reality. Such works offer virtual festivals, have been recently flirting with the newest technologies of artificial reality. Such works offer virtual festivals, have been recently flirting with the newest technologies of artificial reality. Such works offer virtual festivals, have been recently flirting with the newest technologies of artificial reality. Such works offer virtual festivals, have been recently flirting with the newest technologies of artificial reality. Such works offer virtual festivals, have been recently flirting with the newest technologies of artificial reality. Such works offer virtual festivals, have been recently flirting with the newest technologies of artificial reality. Such works offer virtual festivals, have been recently flirting with the newest technologies of artificial reality. Such works offer virtual festivals, have been recently flirting with the newest technologies of artificial reality. Such works offer virtual festivals, have been recently flirting with the newest technologies of artificial reality. Such works offer virtual festivals, have been recently flirting with the newest technologies of artificial reality. Such works offer virtual festivals, have been recently flirting with the newest technologies of artificial reality. Such works offer virtual festivals, have been recently flirting with the newest technologies of artificial reality. Such works offer virtual festivals, have been recently flirting with the newest technologies of artificial reality. Such works offer virtual festivals, have been recently flirting with the newest technologies of artificial reality. Such works offer virtual festivals, have been recently flirting with the newest technologies of artificial reality. Such works offer virtual festivals, have been recently flirting with the newest technologies of artificial reality. Such works offer virtual festivals, have been recently flirting with the newest technologies of artificial reality. Such works offer virtual festivals, have been recently flirting with the newest technologies of artificial reality. Such works offer virtual festivals, have been recently flirting with the newest technologies of artificial reality. Such works offer virtual festivals, have been recently flirting with the newest technologies of artificial reality. Such works offer virtual festivals, have been recently flirting with the newest technologies of artificial reality. Such works offer virtual festivals, have been recently flirting with the newest technologies of artificial reality. Such works offer virtual festivals, have been recently flirting with the newest technologies of artificial reality. Such works offer virtual festivals, have been recently flirting with the newest technologies of artificial reality. Such works offer virtual festivals, have been recently flirting with the newest technologies of artificial reality. Such works offer virtual festivals, have been recently flirting with the newest technologies of artificial reality. Such works offer virtual festivals, have been recently flirting with the newest technologies of artificial reality. Such works offer virtual festivals, have been recently flirting with the newest technologies of artificial reality. Such works offer virtual festivals, have been recently flirting with the newest technologies of artificial reality. Such works offer virtual festivals, have been recently flirting with the newest technologies of artificial reality. Such works offer virtual festivals, have been recently flirting with the newest technologies of artificial reality. Such works offer virtual festivals, have been recently flirting with the newest technologies of artificial reality. Such works offer virtual festivals, have been recently flirting with the newest technologies of artificial reality. Such works offer virtual festivals, have been recently flirting with the newest technologies of artificial reality. Such works offer virtual festivals, have been recently flirting with the newest technologies of artificial reality. Such works offer virtual festivals, have been recently flirting with the newest technologies of artificial reality. Such works offer virtual festivals, have been recently flirting with the newest technologies of artificial reality. Such works offer virtual festivals, have been recently flirting with the newest technologies of artificial reality. Such works offer virtual festivals, have been recently flirting with the newest technologies of artificial reality. Such works offer virtual festivals, have been recently flirting with the newest technologies of artificial reality. Such works offer virtual festivals, have been recently flirting with the newest technologies of artificial reality. Such works offer virtual festivals, have been recently flirting with the newest technologies of artificial reality. Such works offer virtual festivals, have been recently flirting with the newest technologies of artificial reality. Such works offer virtual festivals, have been recently flirting with the newest technologies of artificial reality. Such works offer virtual festivals, have been recently flirting with the newest technologies of artificial reality. Such works offer virtual festivals, have been recently flirting with the newest technologies of artificial reality. Such works offer virtual festivals, have been recently flirting with the newest technologies of artificial reality. Such works offer virtual festivals, have been recently flirting with the newest technologies of artificial reality. Such works offer virtual festivals, have been recently flirting with the newest technologies of artificial reality. Such works offer virtual festivals, have been recently flirting with the newest technologies of artificial reality. Such works offer virtual festivals, have been recently flirting with the newest technologies of artificial reality. Such works offer virtual festivals, have been recently flirting with the newest technologies of artificial reality. Such works offer virtual festivals, have been recently flirting with the newest technologies of artificial reality. Such works offer virtual festivals, have been recently flirting with the newest technologies of artificial reality. Such works offer virtual festivals, have been recently flirting with the newest technologies of artificial reality. 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Such works offer virtual reality orreality or reality orreality orreality orreality orreality orreality or augmented reality, transmedia storytelling, etc. The question surrounding the filmic qualities of these augmented reality, transmedia storytelling, etc. The question surrounding the filmic qualities of these augmented reality, transmedia storytelling, etc. The question surrounding the filmic qualities of these augmented reality, transmedia storytelling, etc. The question surrounding the filmic qualities of these augmented reality, transmedia storytelling, etc. The question surrounding the filmic qualities of these augmented reality, transmedia storytelling, etc. The question surrounding the filmic qualities of these augmented reality, transmedia storytelling, etc. The question surrounding the filmic qualities of these augmented reality, transmedia storytelling, etc. The question surrounding the filmic qualities of these augmented reality, transmedia storytelling, etc. The question 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of these augmented reality, transmedia storytelling, etc. The question surrounding the filmic qualities of these augmented reality, transmedia storytelling, etc. The question surrounding the filmic qualities of these augmented reality, transmedia storytelling, etc. The question surrounding the filmic qualities of these augmented reality, transmedia storytelling, etc. The question surrounding the filmic qualities of these augmented reality, transmedia storytelling, etc. The question surrounding the filmic qualities of these augmented reality, transmedia storytelling, etc. The question surrounding the filmic qualities of these augmented reality, transmedia storytelling, etc. The question surrounding the filmic qualities of these augmented reality, transmedia storytelling, etc. The question surrounding the filmic qualities of these augmented reality, transmedia storytelling, etc. The question surrounding the filmic qualities of these augmented reality, transmedia storytelling, etc. The question surrounding the filmic qualities of these augmented reality, transmedia storytelling, etc. The question surrounding the filmic qualities of these augmented reality, transmedia storytelling, etc. The question surrounding the filmic qualities of these augmented reality, transmedia storytelling, etc. The question surrounding the filmic qualities of these augmented reality, transmedia storytelling, etc. The question surrounding the filmic qualities of these augmented reality, transmedia storytelling, etc. The question surrounding the filmic qualities of these augmented reality, transmedia storytelling, etc. The question surrounding the filmic qualities of these augmented reality, transmedia storytelling, etc. The question surrounding the filmic qualities of these augmented reality, transmedia storytelling, etc. The question surrounding the filmic qualities of these augmented reality, transmedia storytelling, etc. The question surrounding the filmic qualities of these augmented 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They bring new creative methods and possibilities to movingey bring new creative methods and possibilities to movingey bring new creative methods and possibilities to movingey bring new creative methods and possibilities to moving ey bring new creative methods and possibilities to moving ey bring new creative methods and possibilities to movingey bring new creative methods and possibilities to movingey bring new creative methods and possibilities to movingey bring new creative methods and possibilities to movingey bring new creative methods and possibilities to movingey bring new creative methods and possibilities to movingey bring new creative methods and possibilities to moving ey bring new creative methods and possibilities to movingey bring new creative methods and possibilities to movingey bring new creative methods and possibilities to movingey bring new creative methods and possibilities to moving ey bring new creative methods and possibilities to movingey bring new creative 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possibilities to movingey bring new creative methods and possibilities to movingey bring new creative methods and possibilities to moving ey bring new creative methods and possibilities to movingey bring new creative methods and possibilities to moving -image image image image image practitioners and audiences, be it an immersion in virtual worlds, the development of imaginary characters, practitioners and audiences, be it an immersion in virtual worlds, the development of imaginary characters, practitioners and audiences, be it an immersion in virtual worlds, the development of imaginary characters, practitioners and audiences, be it an immersion in virtual worlds, the development of imaginary characters, practitioners and audiences, be it an immersion in virtual worlds, the development of imaginary characters, practitioners and audiences, be it an immersion in virtual worlds, the development of imaginary characters, practitioners and audiences, be it an immersion in virtual worlds, the development of imaginary characters, practitioners and audiences, be it an immersion in virtual worlds, the development of imaginary characters, practitioners and audiences, be it an immersion in virtual worlds, the development of imaginary characters, practitioners and audiences, be it an immersion in virtual worlds, the development of imaginary characters, practitioners and audiences, be it an immersion in virtual worlds, the development of imaginary characters, practitioners and audiences, be it an immersion in virtual worlds, the development of imaginary characters, practitioners and audiences, be it an immersion in virtual worlds, the development of imaginary characters, practitioners and audiences, be it an immersion in virtual worlds, the development of imaginary characters, practitioners and audiences, be it an immersion in virtual worlds, the development of imaginary characters, practitioners and audiences, be it an immersion in virtual worlds, the development of imaginary 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and audiences, be it an immersion in virtual worlds, the development of imaginary characters, practitioners and audiences, be it an immersion in virtual worlds, the development of imaginary characters, practitioners and audiences, be it an immersion in virtual worlds, the development of imaginary characters, practitioners and audiences, be it an immersion in virtual worlds, the development of imaginary characters, practitioners and audiences, be it an immersion in virtual worlds, the development of imaginary characters, practitioners and audiences, be it an immersion in virtual worlds, the development of imaginary characters, practitioners and audiences, be it an immersion in virtual worlds, the development of imaginary characters, practitioners and audiences, be it an immersion in virtual worlds, the development of imaginary characters, practitioners and audiences, be it an immersion in virtual worlds, the development of imaginary characters, practitioners and audiences, be it an immersion in virtual worlds, the development of imaginary characters, practitioners and audiences, be it an immersion in virtual worlds, the development of imaginary characters, practitioners and audiences, be it an immersion in virtual worlds, the development of imaginary characters, practitioners and audiences, be it an immersion in virtual worlds, the development of imaginary characters, practitioners and audiences, be it an immersion in virtual worlds, the development of imaginary characters, practitioners and audiences, be it an immersion in virtual worlds, the development of imaginary characters, practitioners and audiences, be it an immersion in virtual worlds, the development of imaginary characters, practitioners and audiences, be it an immersion in virtual worlds, the development of imaginary characters, practitioners and audiences, be it an immersion in virtual worlds, the development of imaginary characters, practitioners and audiences, be it an immersion in virtual worlds, the development of imaginary characters, practitioners and audiences, be it an immersion in virtual worlds, the development of imaginary characters, practitioners and audiences, be it an immersion in virtual worlds, the development of imaginary characters, practitioners and audiences, be it an immersion in virtual worlds, the development of imaginary characters, practitioners and audiences, be it an immersion in virtual worlds, the development of imaginary characters, practitioners and audiences, be it an immersion in virtual worlds, the development of imaginary characters, practitioners and audiences, be it an immersion in virtual worlds, the development of imaginary characters, practitioners and audiences, be it an immersion in virtual worlds, the development of imaginary characters, practitioners and audiences, be it an immersion in virtual worlds, the development of imaginary characters, practitioners and audiences, be it an immersion in virtual worlds, the development of imaginary characters, practitioners and audiences, be it an immersion in virtual worlds, the development of imaginary characters, practitioners and audiences, be it an immersion in virtual worlds, the development of imaginary characters, practitioners and audiences, be it an immersion in virtual worlds, the development of imaginary characters, practitioners and audiences, be it an immersion in virtual worlds, the development of imaginary characters, practitioners and audiences, be it an immersion in virtual worlds, the development of imaginary characters, practitioners and audiences, be it an immersion in virtual worlds, the development of imaginary characters, practitioners and audiences, be it an immersion in virtual worlds, the development of imaginary characters, practitioners and audiences, be it an immersion in virtual worlds, the development of imaginary characters, practitioners and audiences, be it an immersion in virtual worlds, the development of imaginary characters, practitioners and audiences, be it an immersion in virtual worlds, the development of imaginary characters, practitioners and audiences, be it an immersion in virtual worlds, the development of imaginary characters, practitioners and audiences, be it an immersion in virtual worlds, the development of imaginary characters, practitioners and audiences, be it an immersion in virtual worlds, the development of imaginary characters, practitioners and audiences, be it an immersion in virtual worlds, the development of imaginary characters, practitioners and audiences, be it an immersion in virtual worlds, the development of imaginary characters, or a complex way of telling story, to serve higher artistic or merely marketing go a complex way of telling story, to serve higher artistic or merely marketing goa complex way of telling a story, to serve higher artistic or merely marketing go a complex way of telling story, to serve higher artistic or merely marketing go a complex way of telling story, to serve 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How to treat this als. How to treat this als. How to treat this als. How to treat this als. How to treat this als. How to treat this als. How to treat this als. How to treat this als. How to treat this als. How to treat this als. How to treat this als. How to treat this als. How to treat this als. How to treat this als. How to treat this (seemingly) fresh phenomenon in the film world? Is it, perhaps, only a new execution of original cinematic (seemingly) fresh phenomenon in the film world? Is it, perhaps, only a new execution of original cinematic (seemingly) fresh phenomenon in the film world? Is it, perhaps, only a new execution of original cinematic (seemingly) fresh phenomenon in the film world? Is it, perhaps, only a new execution of original cinematic (seemingly) fresh phenomenon in the film world? Is it, perhaps, only a new execution of original cinematic (seemingly) fresh phenomenon in the film world? Is it, perhaps, only a new execution of original cinematic (seemingly) fresh phenomenon in the film world? Is it, perhaps, only a new execution of original cinematic (seemingly) fresh phenomenon in the film world? Is it, perhaps, only a new execution of original cinematic (seemingly) fresh phenomenon in the film world? Is it, perhaps, only a new execution of original cinematic (seemingly) fresh phenomenon in the film world? Is it, perhaps, only a new execution of original cinematic (seemingly) fresh phenomenon in the film world? Is it, perhaps, only a new execution of original cinematic (seemingly) fresh phenomenon in the film world? Is it, perhaps, only a new execution of original cinematic (seemingly) fresh phenomenon in the film world? Is it, perhaps, only a new execution of original cinematic (seemingly) fresh phenomenon in the film world? Is it, perhaps, only a new execution of original cinematic (seemingly) fresh phenomenon in the film world? 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Is it, perhaps, only a new execution of original cinematic (seemingly) fresh phenomenon in the film world? Is it, perhaps, only a new execution of original cinematic (seemingly) fresh phenomenon in the film world? Is it, perhaps, only a new execution of original cinematic (seemingly) fresh phenomenon in the film world? Is it, perhaps, only a new execution of original cinematic (seemingly) fresh phenomenon in the film world? Is it, perhaps, only a new execution of original cinematic (seemingly) fresh phenomenon in the film world? Is it, perhaps, only a new execution of original cinematic (seemingly) fresh phenomenon in the film world? Is it, perhaps, only a new execution of original cinematic (seemingly) fresh phenomenon in the film world? Is it, perhaps, only a new execution of original cinematic (seemingly) fresh phenomenon in the film world? Is it, perhaps, only a new execution of original cinematic (seemingly) fresh phenomenon in the film world? 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Keywords: VR, XR, augmented, vritual, reality
Published in RUNG: 13.06.2018; Views: 3946; Downloads: 0
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153.
Drifting through Cityscapes : Mapping the Local
Szabolcz Kisspal, Allan Siegel, Eszter Lazar, Olivera Batajić Sretenović, Danica Bojić, 2018, professional monograph

Keywords: local, city, urban, mapping, intermedia
Published in RUNG: 06.06.2018; Views: 3674; Downloads: 34
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154.
Srečanja in obsedenosti v sodobnem mestu
Helene Thümmel, 2018, master's thesis

Abstract: Magistrsko delo se osredotoča na identiteto v urbanih prostorih, združuje teoretična prizadevanja in terensko raziskovanje z intervencijami v javnem prostoru v štirih evropskih mestih (#Gradec, #Ljubljana, #Trst, #Reka). Raziskava preizprašuje o manifestacijah in izvoru identitete v javnem prostoru, v kakšnih oblikah se ta lahko pojavi in v katerih praksah se pogosto uporablja za vizualizacijo. Besedilo dela se razvija vzdolž treh področij vedenja: Prvi del pokriva splošno raziskavo (3//sessions) o izbranih elementih in strukturah sodobnega mesta. Drugi del je študij specifične prakse in poskusov identifikacije prebivalcev mesta (4//obsessions). Praktično delo (//preveč večernih zabav) sestavlja vrsta intervencij, pri čemer so pozicije (prostorsko, čustveno, politično, družbeno) #označene z betonskimi kockami velikosti 12x12x12cm. Intervencije zastavljajo vprašanja o aktualni oziroma dominantni pripovedi. Kocke so lahko postavljene kot provokacija, kot pikselacija #urbanega prostora, kot ustvarjanje #skupnega območja ali služi kot #spomenik, itd. Tretji del (5//again!) je dokumentacija praktičnega dela magistrskega zaključnega projekta. Intervencije v javnem prostoru imajo namen osvetliti probleme urbanega okolja in težave v procesu identifikacije. Zadnji del se osredotoča na avtoričin osebni pristop k projektu in izhaja predvsem iz njene umetniške prakse v javnem prostoru.
Keywords: urbani prostor, javni prostor, okolje, identiteta, meščan, uporabnik, situacija, umetnost, akcija, intervencija
Published in RUNG: 24.04.2018; Views: 5046; Downloads: 191
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155.
Ma' Neptun
Peter Purg, artistic work

Abstract: After the Neptun Trilogy (2011-13) and its Re:enactment in 2014 (vimeo.com/119334124) as well as its Resiege in 2017 (https://vimeo.com/235908183), the performer returns to The ex-Neptun factory in Komiža, island of Vis (Croatia) for the sixth time altogether. Throughout 2017, the factory was used as one of the strictly closed areas on the island for shooting of the Hollywood blockbuster Mamma Mia 2. Many Komižan mothers worked in the Neptun fish-canning factory for years and decades; dozens of young women came to work in the factory from mainland, they mostly stayed, and became mothers... Performance: pETER Purg Camera and Editing: pETER Purg
Keywords: performans, video, neptun, trilogija.
Published in RUNG: 01.03.2018; Views: 3688; Downloads: 143
.pdf Full text (124,78 KB)

156.
Kako se lahko umetniki naučijo sodelovati s podjetniki: primera IDEATE in MyMachine
Peter Purg, 2018, unpublished invited conference lecture

Keywords: ustvarjalnost, umetnost, poslovanje, interdisiplinarnost, menedžment, podjetništvo, kreativne industrije.
Published in RUNG: 01.03.2018; Views: 4057; Downloads: 0
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157.
Ecological evaluation of aquatic and terrestrial subterranean fauna in a karst cave
Peter Kozel, 2018, doctoral dissertation

Abstract: Studies on environmental parameters−subterranean fauna relationship and spatial and temporal patterns of subterranean fauna have dealt with either aquatic or terrestrial faunas. So far, no simultaneous ecological evaluation of aquatic and terrestrial faunas has been performed. To address this issue, we conducted a pilot study dealing in parallel with these two faunas in the cave Zguba jama near Postojna, Slovenia, applying monthly sampling over one year. Aquatic fauna was sampled from permanent water drips, and terrestrial fauna by visual inspection and advanced baited pitfall trapping, along with recording the main abiotic parameters. In percolating water, we recorded aquatic fauna, Copepoda being the dominant taxon, and species-rich troglobiotic fauna, which most probably coexist with aquatic species in a semi-aquatic epikarst environment. Analyses revealed that temperature, distance from the entrance and ceiling thickness are the most important parameters that influence the presence of stygobionts; higher values of these parameters result in a higher probability of the presence of stygobionts in percolation water. The recorded spatial distribution of stygobionts varied distinctly among the sampling sites. This indicates that fauna in sampled drips originated from aquatic or semiaquatic epikarst microhabitats, being completely or nearly completely separated from each other, and probably varied according to environmental characteristics. The temporal pattern of the stygobiotic fauna dynamics presumably occurred because of variable water flow rates and the specific physical and chemical characteristics of the water. The abundance of troglobionts showed distinctive spatial distribution pattern over the seasons. In spring and summer, the highest abundances and the highest probability of presence were found near the entrance. In autumn and winter, unfavorable conditions in the entrance zone most likely triggered the migration of troglobionts towards the climatically more stable deep cave zone, and from the cave into the adjacent fissure network. The highest abundance of troglobionts was found at 7–9°C and relatively high ground substrate moisture. Additionally, we found a higher probability of the presence of troglobionts in cave sections with a larger passage cross-section size, which is probably due to the greater variability of microhabitat types in spacious cave sections. In addition, the higher probability of presence relates to higher substrate pH. One potential explanation for this could be that the specific microorganism communities present in such conditions support the nutritional needs of troglobionts. Most troglobiotic species preferred the deep cave zone where the highest species richness and diversity were also observed. Species richness, abundance and diversity of troglophiles and trogloxenes were highest in the entrance zone and showed relatively similar patterns within the cave. However, troglophiles were more abundant in the transition zone and the initial part of the inner zone. The temporal pattern of trogloxenes and presumably of most troglophiles occurred because of migration between the surface and the cave. The probability of the presence of trogloxenes was highest in the entrance zone and in winter, owing to massive overwintering in the cave. A modified technique of pitfall trapping by placing traps in two parallel sets, a ground and an upper one along the cave, resulted in recording greater species diversity in comparison with the traditional method, i.e., ground pitfall trapping alone. It turned out that such sampling contributes at the same time to both more effective and less invasive inventory of subterranean fauna. The dynamics of relative abundance and species richness of stygobionts and troglobionts within the cave showed partly comparable annual patterns. Nevertheless, our findings point toward the need for a long-term and more detailed study in future to address this question properly.
Keywords: biological inventories, epikarst fauna, faunal dynamics, microhabitats, stygobionts, troglobionts, troglophiles, trogloxenes, Zguba jama
Published in RUNG: 16.02.2018; Views: 4588; Downloads: 315
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