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22. BLUE YE WINDElizabeta Sitņikova, Inga Šlangena, Eliza Cipruse, other performed works Abstract: Inspired by Rosi Braidotti's posthumanist theory, this collective artwork, born from a blend of human and non-human creative forces, ventures beyond the human subject. It reveals unexpected artistic materializations where machines, like invasive species, permeate the natural environment. As the workshop particpants resonated with the disenfranchised maritime landscapes, they now take the audience along to question the boundaries between their nature and the blue expanse. Through sensory engagement that deprioritizes the visual, the audience is invited to reframe their perception and interaction with the sea, and their consistency of and with water.
Keywords: performance, happening, artwork, posthumanism, blue humanities
Published in RUNG: 16.10.2024; Views: 211; Downloads: 0
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25. Hell thunders : how sound influences the film narrativeMilan Bajčetić, 2024, master's thesis Abstract: This master thesis deals with the theoretical and practical part of my short film “Hell Thunders”. In the theoretical part, the topic is about the usage of sound and how it influences the understanding of the film narrative, where my film was used as an example.
In the practical part, I will describe the process behind the pre-production phase, where I will also explain how and why I made specific sound choices that helped create the film.
Keywords: film, sound, music, narrative, information, metaphor
Published in RUNG: 09.10.2024; Views: 297; Downloads: 7
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26. Poučevanje medijske arheologije : od-učenje in ponovna predstava o zgodovinskem jazuEszter Polónyi, 2024, published scientific conference contribution abstract Abstract: The media archaeologist has been called an experimenter (Fickers and van den Oever), a circuit-bender (G Hertz and Jussi Parikka), a “thinkerer” (Ted Nelson, Lori Emerson, Erkki Huhtamo). With reluctance, sometimes media archaeologists self-designate as a “media/historians.” Rarely does the media archaeologist refer to themselves as “students” of media. However, several texts have appeared recently that suggest that media archaeology as a field is inherently pedagogic, in the sense that it presumes experiential, speculative, and embodied forms of knowledge acquisition (Fickers and van den Oever; Patrick Ellis and Colin Williamson, Wanda Strauven). This paper follows on the call by recent media archaeologists like Andreas Fickers and Annie van den Oever for a sensorially-engaged encounter with media artifacts. It suggests that, through such methods of experiment and re-enactment, media archaeology might represent a kind of un-learning of toxic subject positions embedded in media technologies themselves. Making the historical self into the field’s most important, but repressed, medium, the paper argues that media archaeology might be indispensable to historical writing because it presents historians and students of history with an opportunity to radically reimagine the self (Michel Foucault, Peter Galison, Claudia Rankine). (ARIS J7-3158, Sustainable Digital Preservation of the Slovenian New Media Art)
Keywords: media archaeology, experimental pedagogy, critical theory
Published in RUNG: 09.10.2024; Views: 308; Downloads: 2
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28. Cinema as citizenship: practices of mis(re)cognition on the fringes of Europe : lecture at the Society for Cinema and Media Studies, SCMS, Boston, March 14-17, 2024Eszter Polónyi, 2024, unpublished conference contribution Abstract: This paper comes out of a book project examining the emergence of identity recognition practices in the first half of the twentieth century, that is, during the period leading up to the visual (de)construction of identity in a manner no longer verifiable by the human eye. Its focus is on the filmic representation of early institutions of photographic identification and their tactical subversion through fraud, plastic surgery, masks, identity theft, as well as visual occlusions occurring at the level of cinematography, such as techniques of blocking, framing, magnifying, and editing as described by Balázs in his film theory. The paper focuses on practices of opacity and mis(re)cognition such as are practiced specifically by central and east European practitioners in exile, including in the films of Bela Balázs, Fritz Lang, Peter Lorre, and Conrad Veidt.
Keywords: film and media studies, east central European regional studies, migration studies
Published in RUNG: 09.10.2024; Views: 287; Downloads: 0
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29. Prospects for ▫$\gamma-ray$▫ observations of the Perseus galaxy cluster with the Cherenkov Telescope ArrayK. Abe, Saptashwa Bhattacharyya, Judit Pérez Romero, Samo Stanič, Veronika Vodeb, Serguei Vorobiov, Gabrijela Zaharijas, Danilo Zavrtanik, Marko Zavrtanik, Miha Živec, 2024, original scientific article Abstract: Galaxy clusters are expected to be both dark matter (DM) reservoirs and storage rooms for the cosmic-ray protons (CRp) that accumulate along the cluster’s formation history. Accordingly, they are excellent targets to search for signals of DM annihilation and decay at γ-ray energies and are predicted to be sources of large-scale γ-ray emission due to hadronic interactions in the intracluster medium (ICM). In this paper, we estimate the sensitivity of the Cherenkov Telescope Array (CTA) to detect diffuse γ-ray emission from the Perseus galaxy cluster. We first perform a detailed spatial and spectral modelling of the expected signal for both the DM and the CRp components. For each case, we compute the expected CTA sensitivity accounting for the CTA instrument response functions. The CTA observing strategy of the Perseus cluster is also discussed. In the absence of a diffuse signal (non-detection), CTA should constrain the CRp to thermal energy ratio X500 within the characteristic radius R500 down to about X500 < 0.003, for a spatial CRp distribution that follows the thermal gas and a CRp spectral index αCRp = 2.3. Under the optimistic assumption of a pure hadronic origin of the Perseus radio mini-halo and depending on the assumed magnetic field profile, CTA should measure αCRp down to about ∆αCRp ≃ 0.1 and the CRp spatial distribution with 10% precision, respectively. Regarding DM, CTA should improve the current ground-based γ-ray DM limits from clusters observations on the velocity- averaged annihilation cross-section by a factor of up to ∼ 5, depending on the modelling of DM halo substructure. In the case of decay of DM particles, CTA will explore a new region of the parameter space, reaching models with τχ > 10[sup]27 s for DM masses above 1 TeV. These constraints will provide unprecedented sensitivity to the physics of both CRp acceleration and transport at cluster scale and to TeV DM particle models, especially in the decay scenario.
Keywords: cosmic ray experiments, dark matter experiments, galaxy clusters, gamma ray experiments, very-high energy gamma rays, Cherenkov Telescope Array Observatory, Perseus galaxy cluster
Published in RUNG: 09.10.2024; Views: 261; Downloads: 1
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