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1.
Semiotics of visualisation in comparative literature : the case of the NEWW women writers database
Aleš Vaupotič, Narvika Bovcon, 2024, unpublished conference contribution

Abstract: The paper discusses the methodology behind the visualisation of information. It points out the visual language strategies for encoding meaning and the importance of spatial arrangement of information. An overview of visualisation models is conceived on multiple levels, categorising the various forms of diagrams according to several approaches. Experimental data visualisations, among them also dynamic, interactive and three-dimensional visualisations, were realised in the project on the NEWW database with the goal to explore possible uses of different diagrams and graphs to make the structures and patterns in more apparent. These prototypes facilitate a hands-on evaluation of individual visualisation solutions with regard to this particular database. Focused research questions are recognised as a productive starting point for comprehensible although partial visualisations of the database. Our approach relies upon Lev Manovich’s definition of a new media object as a multiplicity of interfaces to access a multimedia database. A selection of visualisations that were created within the project is presented to point to particular communication situations, and possible problems that we encountered. A humanities database containing literary-historical information requires a specific approach that adapts and sometimes replaces the statistical data descriptions as used in hard sciences and social sciences. Also, using the Peircean semiotics as the methodological framework we point to the need to specify the scope of the visualisation project and its communicative effect. In the second part of the paper, we interpret the semiotic functioning of data sculptures that were realised using the contents of the NEWW database.
Keywords: Digital humanities, Semiotics, Visualization in literary scholarship, Charles S. Peirce
Published in RUNG: 02.07.2024; Views: 76; Downloads: 0
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2.
The Current Relevance of Realist Discourse
Aleš Vaupotič, 2018, original scientific article

Abstract: The paper focuses the idea of realism by explaining the evident situation that the realist approach is the oldest of Western art practices, which –running in parallel to other currents – has extended into the second half of the twentieth century and even further. The discussion expands beyond literature to other arts. The starting point is the notion of literary realism after 1830 as used in literary history linked to the “great” novelistic tradition. In the twentieth century, the status of literary realism with its varieties of late and “neo-” realisms turns problematic. The reconsidered idea of realism unequivocally renounces links with the scholarly traditions explaining realism as “representation” or “reflection” etc. of the objective reality. The “debate on expressionism” in the 1930s and the avant-garde movements –in some of its tendencies –are an extension of the realist movement. The reconsidered view on realism is founded on the concept of the archive, increasing in importance on the theoretical level and in various poetics throughout the twentieth century. (However, Walter Benjamin's theory of allegory, though it could be considered a variant of the theory of archive, falls outside the limits of realism.) The paper argues for the discursive definition of realism, advanced by Hans Vilmar Geppert on the ground of Peirce's pragmaticism, avoiding the pitfalls of traditional approaches to realism.
Keywords: realism, realist discourse, Hans Vilmar Geppert, Charles Sanders Peirce
Published in RUNG: 06.02.2020; Views: 3005; Downloads: 0
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