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3. Soči (prosto po Gregorčiču)Zoran Božič, 2020, other component parts Abstract: Aktualizacija (travestija) Gregorčičeve domoljubne ode reki Soči, z ozirom na stoletno okoljsko onasnaževanje srednje Soške doline (uporaba azbesta in sosežiganje odpadkov). Keywords: travesatija, Simon Gregorčič, Posočje, onesnaževanje okolja, sosežigalnica, azbest, mezoteliom, pljučni rak, tuji kapital Published in RUNG: 19.02.2020; Views: 2901; Downloads: 100 Full text (172,23 KB) |
4. Slovenski realizem (učno gradivo)Zoran Božič, 2018, other educational material Abstract: Didaktična predstavitev besedil Obujenke, Obrazi, Ognjeplamtič, Tilka, Popotovanje iz Litije do Čateža, Telečja pečenka, Človeka nikar!, Moj črni plašč, Soči, Mejnik, Brodnik, Ponočna potnica in Zimska romanca. Keywords: didaktika, Simon Jenko, Fran Levstik, Josip Jurčič, Simon Gregorčič, Anton Aškerc, realizem, cikel lirskih pesmi, satirična pesnitev, literarni program, novela, svetobolje, blada, socialna poezija Published in RUNG: 22.01.2018; Views: 4559; Downloads: 255 Full text (609,82 KB) |
5. Gregorčičev odnos do narave, Boga in družbeZoran Božič, unpublished invited conference lecture Abstract: Prispevek raziskuje Gregorčičev odnos do narave, Boga in družbe, predvsem v luči kritike teologa Antona Mahniča in v primerjavi s Prešernom. Keywords: Simon Gregorčič, Poezije, narava, Bog, družba, Anton Mahnič, France Prešeren Published in RUNG: 28.05.2017; Views: 4543; Downloads: 0 This document has many files! More... |
6. Manj znani Gregorčič : Govor v solkanski krajevni skupnosti ob slovenskem kulturnem preznikuZoran Božič, 2017, professional article Abstract: Predstavitev manj znanih dejstev iz Gregorčičevega življenja, dela in kasnejšega vpliva na slovensko narodno zavest. Keywords: Simon Gregorčič, Poezije, Soči, domoljubje, fašizem, slovenski jezik, Karel Lavrič, Jean Sbogar, Charles Nodier, Anton Mahnič, Dvanajst večerov, France Prešeren Published in RUNG: 19.04.2017; Views: 4720; Downloads: 0 This document has many files! More... |
7. Življenje in delo Simona Gregorčiča : Govor na otvoritvi razstave o Simonu GregorčičuZoran Božič, other performed works Abstract: Gregorčič kot osmošolec (sonet Karlu Lavriču), Charles Nodier in Jean Sbogar in Aleksander S. Puškin in Soči, zlata knjiga 1882 in Josip Gruden pl. Slavinski, Anton Mahnič in Prešeren in Gregorčič, Gregorčičev pogreb in soimenjak z Libušnjega, Andrej Medved in Poezije SG in Mohorjeva družba, Jožko Bajt Triglav in Simon Gregorčič (Damir Feigel in France Bevk v času fašizma). Keywords: Simon Gregorčič, klasična poezija, domoljubje, slovenski narod, Andrej Kragelj, Anton Mahnič, France Prešeren Published in RUNG: 23.01.2017; Views: 4422; Downloads: 0 This document has many files! More... |
8. Gregorčičeve pesmi v srednješolskih berilihZoran Božič, 2006, published scientific conference contribution Abstract: Gregorčičeve pesmi so se začele pojavljati v srednješolskih berilih relativno zgodaj (v Sketovih čitankah v osemdesetih letih devetnajstega stoletja), vendar to pretežno niso tiste pesmi, ki jih danes uvrščamo v ožji Gregorčičev kanon. Gre za pesmi, ki so ustrezale tedanjim ideološkim okvirom avtorjev srednješolskih beril, predvsem z nabožno in državotvorno vsebino v smislu
gesla »Vse za vero, dom, cesarja!«. Druge, bolj sporne pesmi (Soči, Človeka nikar, Moj črni plašč), od katerih predvsem prvi dve danes uvrščamo v sam vrh Gregorčičeve poezije, so se začele
pojavljati šele na začetku 20. stoletja oz. šele po prvi svetovni vojni. Pesem Soči je bila tudi kasneje (v obdobju fašizma pred drugo svetovno vojno in med okupacijo) zaznamovana in zato
praviloma izločena. Gregorčičeve pesmi so v primerjavi z drugimi šolskimi avtorji skoraj osemdeset let sodile v najožji vrh (od 3. do 5. mesta), v šestdesetih letih 20. stoletja so še vedno
cenjene, po šolski reformi v osemdesetih letih pa postane Gregorčič marginalen avtor. Drugače kot v osrednjih slovenskih berilih je v zamejskih primorskih čitankah, kjer je Gregorčič še vedno cenjen pesnik.
Le poesie di Simon Gregorčič cominciarono ad apparire nei libri di lettura per le scuole secondarie relativamente presto (nei libri di lettura di Sket negli anni ‘80 dell’Ottocento),
benché in prevalenza non fossero quelle che oggi sono introdotte nel canone di Gregorčič. Si tratta di poesie su misura dell’allora attueale quadro ideologico degli autori di libri di lettura per le scuole medie di contenuto religioso e patriottico nel senso dello slogan »Tutto per la fede, la patria e l’imperatore!«. Altre poesie, più controverse (Soči, Človeka nikar, Moj črni plašč) di cui soprattutto le prime due sono oggi considerate i capolavori della poesia di Gregorčič, apparvero appena all’inizio del XX secolo, più precisamente dopo la prima guerra mondiale. La poesia Soči fu anche più tardi (nel periodo fascista, prima della seconda guerra e durante l’occupazione) connotata e perciò generalmente esclusa. Per quasi ottant’anni le poesie di Gregorčič furono, a differenza degli altri autori studiati nelle scuole, introdotte tra le più studiate (dal terzo al quinto posto); negli anni ‘60 del XX secolo sono ancora apprezzate, dopo la riforma scolastica negli anni ‘80, invece, Gregorčič passa tra gli autori marginali. A questa
situazione nei libri di lettura sloveni si oppone quella nei libri di lettura della minoranza slovena in Italia dove Gregočič rimane un poeta stimato. Keywords: Gregorčič, pesmi, srednja šola, berilo, Soči Published in RUNG: 26.09.2016; Views: 6010; Downloads: 246 Full text (106,52 KB) |
9. La poèsie slovène et italienne surTrieste et la Première Guerre mondiale : La poesia slovena e italiana su Trieste e la Prima guerra mondiale; Slovenska in italijanska poezija o Trstu in prvi svetovni vojniAna Toroš, other monographs and other completed works Abstract: Prispevek obravnava slovensko in italijansko poezijo prve polovice 20. stoletja, katere dogajalni prostor je mesto Trst oziroma njegovo zaledje. Pri tem je pozornost usmerjena na prvo svetovno vojno, kot tisti zgodovinski mejnik, ki je pomembno preoblikoval motivno-tematsko in idejno naravnanost slovenske in italijanske poezije o Trstu. Keywords: Simon Gregorčič, Anton Aškerc, Igo Gruden, Dora Gruden, Ida Finzi, Carlo Mioni, Alojz Gradnik, Maria Gianni, Adolfo Leghissa, Riccardo Pitteri, Karel Širok. Published in RUNG: 13.06.2016; Views: 4432; Downloads: 0 |
10. The Other in Slovene and Italia Poetry about Trieste in The First Half of the 20th CenturyAna Toroš, unpublished conference contribution Abstract: The paper sheds light on the Slovene and Italian poetry about Trieste in the historically turbulent times of the first half of the 20th century. A significant role in this poetry is namely dedicated to the Other (Slovenes or Italians) in the Trieste region. The literary representation that emerged from it contributed to processes of stereotyping in connection with regional strategies of creating cultural meaning and impinged on the spheres of cultural, political, and economic practice. These stereotypes initially took the form of humorous teasing, but in the years before and after WWI turned into enduring judgements of value and lead to discriminatory acts and violence, as they were part of the destructive (war) propaganda: Before the collapse of the Austro-Hungarian Empire, Slovenes were frequently mentioned in the Italian poetry about Trieste, though the references tended to be one-sided since Italian (irredentist) poets, dreaming of the union of Trieste with the Kingdom of Italy, were not interested about the Other in their own right, as a neighbour, but only as an antagonist, uncultured foreigner and threatening barbarian, someone to defeat in order to prevent their dreams of a "Slovenian Trieste" from coming true. In the Italian poetry about Trieste from the interwar period we are faced with the phenomenon of negation or silencing of the Other (Slovenes) – according to the forced Italianization of Slovenes in the fascist era. Effectively, this means that the Slovenes are no more allowed on the literary scene: all the names of the characters living in the Trieste region are strictly Italian, so are the names of villages that originally had a Slovene name. The poems tend to depict the Trieste region as an idyllic place free of any social or national tensions. In the Slovene poetry up until the end of WWI the Other (Italians) mostly appears without any value-laden label attached to it. After WWI the situation changed radically and a firm literary model was established: the good but powerless Slovenians struggling to defeat the Other (Italians), depicted as the cruel, unmoral antagonist, aggressive foreigner. Keywords: lietararna imagologija, stereotipi, Simon Gregorčič, Anton Aškerc, Carlo Mioni, Igo Gruden, Janko Samec Published in RUNG: 05.05.2016; Views: 5096; Downloads: 0 This document has many files! More... |