1. Iconic Images in Modern Italy: Politics, Culture and SocietyMartina Caruso, 2016, short scientific article Abstract: This special issue explores the developments in the conversation on iconic images in Modern Italy in the fields of art history, film studies and history of photography in Italian cultural studies, concerning the ways in which we perceive and interpret such images in relation to perceptions of 'Italianicity'.
Found in: ključnih besedah
Summary of found: ...history, film studies, fascism, postwar, Gramsci, d'Annunzio, Mussolini, Pasolini, Moro, Basilico, Tony Gentile, Falcone, Borsellino,...
Keywords: iconic images, Italianicity, Modern Italy, history of photography, art history, film studies, fascism, postwar, Gramsci, d'Annunzio, Mussolini, Pasolini, Moro, Basilico, Tony Gentile, Falcone, Borsellino, propaganda
Published: 13.01.2023; Views: 184; Downloads: 0
 Fulltext (11,92 MB) |
2. Counter-regime Photography Under FascismMartina Caruso, 2011, independent scientific component part or a chapter in a monograph Abstract: The role of counter-regime, or humanist, photography in Italy under fascism is considered through the critical themes of ruralism, masculinity and war, revealing its significant, although hidden, role in the history of postwar humanist photography.
Found in: ključnih besedah
Summary of found: ...humanist photography, counter-regime, Fascist regime, Mussolini, ruralism, masculinity, war, postwar...
Keywords: humanist photography, counter-regime, Fascist regime, Mussolini, ruralism, masculinity, war, postwar
Published: 13.01.2023; Views: 186; Downloads: 0
Fulltext (11,35 MB) |
3. Italian Humanist Photography from Fascism to the Cold WarMartina Caruso, scientific monograph Abstract: Spanning four decades of radical political and social change in Italy, this interdisciplinary study explores photography’s relationship with Italian painting, film, literature, anthropological research and international photography. Evocative and powerful, Italian social documentary photography from the 1930s to the 1960s is a rich source of cultural history, reflecting a time of dramatic change. This book shows, through a wide range of images (some published for the first time) that to fully understand the photography of this period we must take a more expansive view than scholars have applied to date, considering issues of propaganda, aesthetics, religion, national identity and international influences. By setting Italian photography against a backdrop of social documentary and giving it a distinctive place in the global history of photography, this exciting volume of original research is of interest to art historians and scholars of Italian and visual culture studies.
Found in: ključnih besedah
Summary of found: ...photography, painting, film, literature, anthropology, fascism, antifascism, Mussolini, resistance, partisans, masculinity, peasants, ruralism, religion, Catholicism,...
Keywords: History of photography, documentary photography, social photography, humanist photography, painting, film, literature, anthropology, fascism, antifascism, Mussolini, resistance, partisans, masculinity, peasants, ruralism, religion, Catholicism, Carlo Levi, Christ Stopped at Eboli, propaganda, national identity, aesthetics, politics
Published: 16.01.2023; Views: 149; Downloads: 0
Fulltext (3,90 MB) |
4. Alessandra Antola Swan, Photographing Mussolini. The making of a political icon, Londra, Palgrave, 2020, pp. 393Martina Caruso, 2022, review, book review, critique Found in: ključnih besedah
Keywords: Mussolini, history of photography, portraiture, icon
Published: 16.01.2023; Views: 159; Downloads: 0
Fulltext (665,32 KB)
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