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2. The Yugoslav Partisan ArtGal Kirn, Vladimir Habjan, 2016, original scientific article Abstract: Jernej Habjan and Gal Kirn have edited a special issue of Slavica tergestina devoted to the Yugoslav Partisan art (1941-1945). All the chapters are in English, with abstracts in Russian and English as well as summaries in Slovenian. We highlight the theoretical discussion between Rastko Mocnik and Miklavz Komelj. The chapters are preceded by the introduction by Gal Kirn, and followed by reviews of new books on the Yugoslav Partisan art. Found in: ključnih besedah Summary of found: ...partisan art, left art, political aesthetics, propaganda, liberation struggle, new Yugoslavia... Keywords: partisan art, left art, political aesthetics, propaganda, liberation struggle, new Yugoslavia Published: 19.08.2020; Views: 1784; Downloads: 0
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3. Die politische Ästhetik des Neuen jugoslawischen FilmsGal Kirn, 2014, independent scientific component part or a chapter in a monograph Found in: ključnih besedah Summary of found: ...modernism, new Yugoslav film, modernisation, political aesthetics, Zilnik... Keywords: modernism, new Yugoslav film, modernisation, political aesthetics, Zilnik Published: 21.08.2020; Views: 1619; Downloads: 0 |
4. Between Subversion and Critique. New Yugoslav FilmGal Kirn, vedrana madžar, 2014, professional article Found in: ključnih besedah Keywords: 1960s, Žilnik, Pavlović, new Yugoslav film, subversion, critique, new avant-garde, dark aesthetics Published: 18.09.2020; Views: 1645; Downloads: 0
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5. Italian Humanist Photography from Fascism to the Cold WarMartina Caruso, scientific monograph Abstract: Spanning four decades of radical political and social change in Italy, this interdisciplinary study explores photography’s relationship with Italian painting, film, literature, anthropological research and international photography. Evocative and powerful, Italian social documentary photography from the 1930s to the 1960s is a rich source of cultural history, reflecting a time of dramatic change. This book shows, through a wide range of images (some published for the first time) that to fully understand the photography of this period we must take a more expansive view than scholars have applied to date, considering issues of propaganda, aesthetics, religion, national identity and international influences. By setting Italian photography against a backdrop of social documentary and giving it a distinctive place in the global history of photography, this exciting volume of original research is of interest to art historians and scholars of Italian and visual culture studies. Found in: ključnih besedah Summary of found: ...applied to date, considering issues of propaganda, aesthetics, religion, national identity and international influences. By... Keywords: History of photography, documentary photography, social photography, humanist photography, painting, film, literature, anthropology, fascism, antifascism, Mussolini, resistance, partisans, masculinity, peasants, ruralism, religion, Catholicism, Carlo Levi, Christ Stopped at Eboli, propaganda, national identity, aesthetics, politics Published: 16.01.2023; Views: 149; Downloads: 0
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