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PLATOON Kunsthalle Berlin, kot začasni eksperimentalni prostor in socialna skulptura
Marija Laura Potočnik, 2016, undergraduate thesis

Abstract: Teoretični del diplomske naloge zajema in obravnava začasni eksperimentalni prostor PLATOON Kunsthalle Berlin kot socialno skulpturo. Uvodno temo odprem z razlago, zakaj sem izbrala PLATOON Kunsthalle Berlin za vsebino te diplomske naloge ter jo na kratko predstavim. Sledi definicija pojma socialne skulpture ter predstavitev Josepha Beuysa, umetnika, ki je izraz prvi uporabil. Za tem povežem in kategoriziram PLATOON Kunsthalle kot socialno skulpturo, jo podrobno predstavim od ustanovitve do postavitve v Berlinu, obdelam njeno skupnost in opišem njen vpliv na berlinsko umetniško sceno ter orišem organizacijo PLATOON Cultural Development. Praktični del tega diplomskega dela je video inštalacija EAT MEAT?, v kateri si postavljam vprašanja o morali, družbi ter o odnosu do živali. Na podlagi Freudove delitve osebnosti raziskujem človeško - živalske odnose in človekovo moralno vlogo v teh odnosih ter vlečem vzporednice med vrednotami. Inštalacija je avtobiografsko delo, intimno in subjektivno. Njen namen je vzbuditi zavedanje in razmislek o tem, v kakšni družbi pravzaprav živimo, kakšne posledice puščajo naša dejanja in udobje, ker oboje nam vsiljuje ignoranca industrije v svojem brezkompromisnem boju za zaslužek.
Found in: ključnih besedah
Keywords: PLATOON, Kunsthalle, Berlin, socialna skulptura, eksperimentalni prostor, umetniška scena, video inštalacija, družba, morala, meso, srce
Published: 01.02.2017; Views: 3486; Downloads: 116
.pdf Fulltext (11,27 MB)

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Iconoclastic Ruptures: Black Lives Matter and the cleansing of colonial memory
Gal Kirn, 2020, polemic, discussion, commentary

Abstract: The removal of racist and oppressive pasts through the toppling of monuments standing in the epicentres of colonial and slave dominions, the US, UK and across Europe, has ruffled the feathers of leading conservative politicians, historians and even some ‘liberal’ thinkers and representatives, who claim that historical revisionism should not come with ‘erasure’ and iconoclasm. Conservative discourse calls this activity looting, saying that ‘the mob’ commits violent actions against society, its order and property, in the same way rioters loot our tradition and monumental legacy. As a scholar of partisan, socialist and postsocialist transition, focusing on the postsocialist cleansing of memory, I would like to compare these two historical moments: 1990s postsocialist memorial revisionism with the current iconoclasm of the Black Lives Matter movement.
Found in: ključnih besedah
Summary of found: ...colonial memory, historical revisionism, fall of berlin wall, postsocialism, erasure, poetic justice...
Keywords: colonial memory, historical revisionism, fall of berlin wall, postsocialism, erasure, poetic justice
Published: 25.08.2020; Views: 1084; Downloads: 0
.pdf Fulltext (495,41 KB)

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