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Abstract: Ars Electronica Garden Slovenia konS ≡ TALKS - From Art to Innovation: Do they really need us? Kersnikova Institute [Kapelica Gallery + Rampa + BioTehna + Vivarium] (SI), Projekt Atol Institute (SI), Ljudmila Society (SI), Aksioma Institute (SI), Cona Institute (SI), University of Nova Gorica – School of Arts (SI), Youth Cultural Centre Maribor (SI), Youth Centre Velenje (SI), LokalPatriot Novo mesto (SI) Credits Partners: Kersnikova Institute (Kapelica Gallery + Rampa + BioTehna + Vivarium), Projekt Atol Institute, Ljudmila Society, Aksioma Institute, Cona Institute (all from Ljubljana), University of Nova Gorica – School of Arts, Youth Cultural Centre Maribor, Youth Centre Velenje, LokalPatriot Novo mesto – SI konS ≡ Platform for Contemporary Investigative Art is a project chosen on the public call for the selection of the operations “Network of Investigative Art and Culture Centres”. The investment is co-financed by the Republic of Slovenia and by the European Regional Development Fund of the European Union.
Found in: ključnih besedah
Summary of found: ...interdisiplinary, intermedia, arts, innovation, labs, kons, platform...
Keywords: interdisiplinary, intermedia, arts, innovation, labs, kons, platform
Published: 09.11.2020; Views: 2072; Downloads: 0
Fulltext (195,28 KB)

Abstract: This video work documents "an inter-media and site-specific percussive opinion on the Mapping Komiža Narratives ( adriart.net/mapping-komi-narratives ) show/exhibition on 12.9.2013 at the Reading room (Čitaona) of Komiža, island of Vis, Croatia, by pETER Purg, together with Lavoslava Benćić (mobile phone; digi-theremin) and Dorian Mataija (shakers, keyboard/sampler)." The video was shot by Adam Whitehall (also credited for the Spieldose-background-theme-WeAreTheChampions), the piece was collectively evolved, coordinated by pETER Purg. "With the support of the Lifelong Learning, Erasmus, Programme of the European Union. These videos reflect the views only of the authors, and the Commission cannot be held responsible for any use which may be made of the information contained therein."
Found in: ključnih besedah
Summary of found: ...video, experiment, percussion, narrative, intermedia, sound...
Keywords: video, experiment, percussion, narrative, intermedia, sound
Published: 06.07.2016; Views: 5163; Downloads: 0

Abstract: This essay is composed of two parts. The first chapter reflects on the genesis of film language, and in this context, considers the reception of Dickens’ works. Next the text turns to borderline cases of adaptation: genre/media hybrid, deep remixability, and allusion. The notions of genre and media are considered as only quantitatively different, not qualitatively, both instances of discourses and apparatuses considered by the theory of discourse (Bakhtin, Foucault etc.). The second part of the text presents an artistic inquiry—concepts and ideas used in production of artworks by the authors of this essay—that sheds light on the possible methods of studying adaptations. Two aspects are foregrounded: the ideas of the transformation of the source text into an archive of fragments that are subsequently put in new meaningful constellations, and the use of Shakespeare’s works in the role of a mediator in the understanding of the language of new media art.
Found in: ključnih besedah
Summary of found: ...adaptation, intermedia, new media, post-media condition, deep remixability, artistic...
Keywords: adaptation, intermedia, new media, post-media condition, deep remixability, artistic inquiry
Published: 15.04.2019; Views: 2563; Downloads: 24
Fulltext (2,25 MB)

Abstract: When asked "Quo Vadis?", Saint Peter decided to follow Jesus back to Rome, where he was crucified upside down. In this performance, the increasingly alienated condition of communication is reflected between remote social and present physical media. "Quo vadis? participative crucifixion performance by pETER Peter Purg , 22.9., Kortil gallery, Rijeka, Croatia >>
Found in: ključnih besedah
Keywords: performance, participative, intermedia
Published: 23.09.2021; Views: 997; Downloads: 0
Fulltext (53,92 KB)