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Faceless machines: early recognition media and entangled bodies : lecture at the "Relatifs" lecture series, Kepler Salon, Johannes Kepler Universität Linz, Österreich, 16. 1. 2024
Eszter Polónyi, 2024, invited lecture at foreign university

Abstract: Eszter Polonyis Vortrag behandelt frühe Systeme automatisierter Identitätserkennung. Einen Fokus bilden Experimente zur Stimmerkennung, wie sie in der Mitte des 20. Jahrhunderts von US-amerikanische Telekommunikationsunternehmen unternommen wurden. Sie geht dabei auch den Verbindungen zur Arbeit mit „noise“ von Medienkünstler*innen nach, darunter Tony Conrad, John Cage und Kurt Kren.
Keywords: media studies, surveillance studies, art history, critical data studies, avant-garde and experimental art
Published in RUNG: 12.02.2024; Views: 241; Downloads: 2
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3.
An archaeology of photographic identification : lecture at the Society for Cinema & Media Studies Conference, Denver, Colorado, 13. 4. 2023
Eszter Polónyi, 2023, unpublished conference contribution

Abstract: This project returns to an early moment in the history of photographic IDs to better understand the current entrapment of our identities within what are by now massive infrastructures of automatized, unregulated and largely unauthorized identity extraction.
Keywords: media studies, surveillance studies, history of art, history of visual culture, cultural studies
Published in RUNG: 12.02.2024; Views: 235; Downloads: 2
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4.
Sustainable digital preservation of the new media art
Aleš Vaupotič, Eszter Polónyi, Narvika Bovcon, Jaka Železnikar, 2023, published scientific conference contribution abstract

Keywords: media studies, art history, new media art, archival studies, restoration studies, museum studies
Published in RUNG: 12.02.2024; Views: 247; Downloads: 5
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5.
Mobility media : an archaeology of the photographic ID document
Eszter Polónyi, 2023, published scientific conference contribution

Abstract: Mobility, in the sense of freedom of persons choosing to move or reside in a state in which they have no prior citizenship, was one of the four original “freedoms” defined in the treaty that ratified European Union member states in 1957.1 In the past decade, this particular freedom, the freedom of movement, appears to have become significantly eroded. Mobility in the sense of migration, that is, mobility of persons for reasons of residency or employment, has become a point of contention among member states that it has divided more than unified, with measures affecting immigrants, refugees and asylum seekers featuring at the core of recent electoral agendas. Certain member states’ deterrence of the mobility of migrants from outside the EU has resulted in the return to protocols and practices of controlling movement into and out of sovereign territories, among the most conspicuous of which has been the re-establishment of a – by now largely defunct – network of nation-state borders. And while the reappearance of new walls, barricades and barbed wiring alongside certain nation-state borders since the mid-2010s have made headlines, there have been other measures with less press and physical visibility that have been set in place to manage and enforce mobility.2 The photographic identity document, meaning a document of state-issued identity certification, has become one such mobility management measure.
Keywords: cultural history, migration studies, history of art, history of visual culture, media archaeology, media studies
Published in RUNG: 12.02.2024; Views: 234; Downloads: 0
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6.
Archaeologies of the Face (I)
Eszter Polonyi, 2016, other component parts

Keywords: media studies, criminology, biometrics
Published in RUNG: 14.12.2020; Views: 2071; Downloads: 0
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7.
Archaeologies of the Face (II)
Eszter Polonyi, 2017, other component parts

Keywords: media studies, portrait photography, refugee crisis, Hungary, Ellis Island
Published in RUNG: 14.12.2020; Views: 2076; Downloads: 0
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8.
The Sounds of Balázs's Cinema
Eszter Polonyi, invited lecture at foreign university

Keywords: film studies, media studies, sound studies, early film theory, Weimar film, authorship studies
Published in RUNG: 14.12.2020; Views: 1971; Downloads: 0
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9.
Flicker: Thom Andersen Takes Muybridge to the Movies
Eszter Polonyi, 2021, independent scientific component part or a chapter in a monograph

Keywords: film history, media studies, Eadweard Muybridge, chronophotography, North American avant-garde, found footage film, media archaeology
Published in RUNG: 12.12.2020; Views: 2617; Downloads: 0
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10.
'The Tragedy is Anatomical': Microscopes and Faces in Jean Epstein and Béla Balázs
Eszter Polonyi, unpublished conference contribution

Keywords: film theory, media studies, science and technology studies, silent cinema, biology
Published in RUNG: 11.12.2020; Views: 2200; Downloads: 0
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