1. Actual and perceived wood combustion pollution – The case of a rural mountainous areaKristina Glojek, Griša Močnik, Honey Dawn Alas, Andrea Cuesta-Mosquera, Luka Drinovec, Asta Gregorič, Kay Weinhold, Thomas Müller, Dejan Cigale, Martin Rigler, Dominik van Pinxteren, Maik Merkel, Matej Ogrin, Martina Ristorini, Hartmut Herrmann, Alfred Wiedensohler, 2022, published scientific conference contribution abstract Keywords: local air quality, aerosol measurements, perception, heating habits Published in RUNG: 27.02.2023; Views: 2429; Downloads: 0 This document has many files! More... |
2. Adjective ordering and concept perception: two sides of the same coinFranc Marušič, Petra Mišmaš, Vesna Plesničar, Rok Žaucer, unpublished conference contribution Keywords: adjectives, adjective ordering restrictions, corpus, cognition, noun phrase, Slovenian, perception Published in RUNG: 21.02.2023; Views: 2875; Downloads: 0 This document has many files! More... |
3. Categorically perceiving vs. Categorizing while perceiving: The role of segments' recognition and lexical access while categorizing the pragmatic function of pitch movements in speech.Alessandra Zappoli, Cinzia Avesani, Massimo Grassi, Francesco Vespignani, 2022, published scientific conference contribution abstract Abstract: Speech perception studies have highlighted: i) auditory-articulatory mapping processes; ii) Categorical Perception (CP) (Liberman et al., 1967); iii) bottom-up formation of phonological categories through statistical learning; iv) top-down mechanisms shaping the perceptual space (Kuhl et al., 1992). Among several open questions, we focus on: i) the relation between speech perception features and other aspects of cognition involving categorization (Holt & Lotto,2010); ii) the cognitive mechanisms responsible for pitch categorization and discrimination in linguistic and non-linguistic contexts.
Pitch in speech is organized in phonological categories (Pitch Accents, Boundary Tones (BTs)) aligned to the text and conveys syntactic, semantic, and pragmatic information (Ladd, 1996). Perception of BTs has been found Quasi-Categorical (Schneider, 2012).
We investigated the presence of CP of BTs (Rising vs. Descending final contours) discriminating between questions and statements. In Italian, intonation alone can distinguish the two. We adopted a modified version of the CP paradigm and tested 34 participants in 2 groups, varying the linguistic segmental information. Group 1 saw: 1) existing words; 2) pseudowords; 3) pseudowords containing foreign phonemes; 4) masked segmental information (humming). Group 2 the reverse order.
Our results show that the pragmatic interpretation of the pitch contour is top-down activated and accessed on degraded linguistic material when stimuli are presented in the word-to-humming order, and bottom-up created through a categorization process in the humming-to-word order. The results also show that in absence of recognizable segmental information (humming), pitch shows to be categorized according to its acoustic properties, rather than on its function in speech. Keywords: categorical perception, categorization, linguistic pitch categorization, pragmatic categorization of pitch contours, boundary tones, italian Published in RUNG: 30.08.2022; Views: 2051; Downloads: 0 This document has many files! More... |
4. Categorical Perception of a vowel contrast in native speakers and second language learners.Alessandra Zappoli, 2022, published scientific conference contribution abstract Abstract: The perceptual space of a speaker is shaped in infancy according to the phonological inventory of the L1. Phonological categories correlate with Categorical Perception (CP) and Perceptual Magnet (PM) effects, lowering the discrimination rate between the same category’s sounds and increasing it at the Category Boundaries (Liberman et al., 1967; Kuhl et al., 1992).
Second Language (L2) learning in adulthood requires creating new categories, some overlapping with the existing ones. When L2 and L1 categories overlap, the PM and CP effects might block the creation of the target L2 sounds, linked to Foreign Accented speech.
In this study, I investigate with the CP paradigm, the categorization, and discrimination of two German words: ʃɔːn] (‘already’) vs. [ʃøːn] (‘beautiful’) distinguished by a vowel contrast existing in German but not in Italian. I tested: i) 20 L1 speakers of German (L1); 34 L2 learners of German, L1 speakers of Italian – ii) 14 exposed to native speech (Tandem); iii) 18 not exposed to it; iv) 20 L1 speakers of Italian (Naïve). The oddball discrimination task presented the stimuli in 6 orders: AAB, ABA, ABB, BAA, BAB, BBA. L2 learners performed the LEXTALE in German (Lemhöfer & Broersma, 2012).
Results show that the categorization and discrimination performance linearly increase with language proficiency. Categorization only correlates with LEXTALE. Exposure to native speech is relevant. The presence of CP - as classically reported in the literature - is affected by the order of presentation of the stimuli in the oddball paradigm, emerging with BAB, ABA, BBA orders. Keywords: vowel categorization, speech categorization, naive listeners, native speakers, L2 learners, categorical perception paradigm, perceptual space Published in RUNG: 30.08.2022; Views: 2402; Downloads: 0 This document has many files! More... |
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6. Learning a new intonation pattern also means learning how to use itAlessandra Zappoli, Francesco Vespignani, Stefan Bauman, Martine Grice, Petra Schumacher, unpublished conference contribution Keywords: Intonation, perception, EEG, N400, Late Positivity, L2 acquisition prosody, German Published in RUNG: 14.12.2021; Views: 2484; Downloads: 0 This document has many files! More... |
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8. About TimeUna Rebić, 2016, master's thesis Abstract: The practical work of my master project about time was carried out as processbased
experiments in practice. As a result, the thesis is a combination of
theoretical research taken from several fields—examining the notion of time from
perspective of psychology, sociology, science and spirituality. Alongside mentioned
research the thesis pairs artistic practices associated with each field discussed—
considering most significant artist and his/her practice or project(s) in which they
explore time. The third layer of the thesis pairs each section with my own personal
practice through experiments carried out in the process—each exploring time from
a different perspective. Since the thesis is the final project of the study developed
within a certain time frame, the last chapter discusses how I approached this
project in regard to my artistic practice. Keywords: time, perception, On Kawara, sociology, speed, Hamish Fulton, quantum
entanglement, arrow of time, Hiroshi Sugimoto, spirituality, consciousness, Marina
Abramović, Ulay Published in RUNG: 14.09.2016; Views: 5498; Downloads: 1 This document has many files! More... |
9. CAPOEIRA: CONCEPTUALIZATION AND PRESENTATION OF THE BODYUrška Stolnik, 2015, doctoral dissertation Abstract: This thesis is the result of twenty-one months of fieldwork among the capoeiristas in Brazil, primarily in the city of Salvador, between 2003 and 2013. Combining historical accounts with the experiences of the present, the work focuses on changes in the social perception of body and mind in both capoeira and wider society. The intricacies of society and the politics of a particular epoch are clearly reflected in this Brazilian national game: sometimes in terms of incorporation or acceptance of specific social hierarchies, and other times of exclusion or rejection of them. A tension between the black and white worlds is constantly present, as it is between the male and female ones. Even when these separate realms in different historical eras of capoeira seem to come closer, they become separated again through new forms of institutionalization. Perceived sometimes as a martial art or dance, sometimes as a game, and yet other times as a sport through which one can gain health and beauty, capoeira evades a firm and permanent definition. Such evasion resembles capoeira’s three main, cunning characteristics: malandragem (trickery), malícia (deception) and mandinga (seduction).
Cunningness, as a tactic to overplay the opponent, is a means of intentional opening and closing of the body in the game. Although opening and closing might seem exclusive, they are, on the contrary, very much inseparable. They coexist in symbiosis not just at the level of a capoeirista playing the game, but also at the level of roda, academia, a capoeira group or school, at the level of capoeira as a practice, and finally, at the level of wider Brazilian society. All of these bodies are striving to be fechado (closed) and secure, but cannot accomplish that before opening themselves first.
Being dexterous in the simultaneous alternation of opening and closing one’s own body is a skill that can be learnt through a long-term and continually engendered process of practice, experiences and interaction with others and the environment at large. That skill, associated with the capoeirista’s awareness of
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constant vulnerability, is closely related to learning the specific way of perceiving and responding. The capoeirista cultivates and embodies capoeiristic habitus, which emphasizes the necessity of being permanently attentive to several things at once. This is possible when all senses work together in synthesis. At that time, the capoeirista uses peripheral sight and is aware of peripheral sounds. The skill of heightened sensitivity and keen perception enables the capoeirista to negotiate between the opening and closing of his body. Opening and closing the body at the right time and taking the advantages of an unstable situation in roda can be accomplished only by simultaneous thinking and performing, which is the outcome of the incorporation of capoeira movements.
The socio-economic situation of Brazilian society based on racial and gender discrimination enhances the cultivation of capoeiristic habitus and dictates the need for the acquisition of capoeiristic skills and attitudes in order to cope with, understand, and live within an unequal world. Capoeiristic habitus can also be learnt and acquired as a by-product of capoeira training. But it remains important whether the environment in which a capoeirista practises tolerates or inhibits the cultivation of capoeiristic skills. Keywords: capoeira, body and mind, game, sport, movement, opened and closed society, perception, historical changes, Salvador, Brazil Published in RUNG: 22.01.2016; Views: 7211; Downloads: 327 Full text (4,71 MB) |