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Abstract: Spanning four decades of radical political and social change in Italy, this interdisciplinary study explores photography’s relationship with Italian painting, film, literature, anthropological research and international photography. Evocative and powerful, Italian social documentary photography from the 1930s to the 1960s is a rich source of cultural history, reflecting a time of dramatic change. This book shows, through a wide range of images (some published for the first time) that to fully understand the photography of this period we must take a more expansive view than scholars have applied to date, considering issues of propaganda, aesthetics, religion, national identity and international influences. By setting Italian photography against a backdrop of social documentary and giving it a distinctive place in the global history of photography, this exciting volume of original research is of interest to art historians and scholars of Italian and visual culture studies.
Keywords: History of photography, documentary photography, social photography, humanist photography, painting, film, literature, anthropology, fascism, antifascism, Mussolini, resistance, partisans, masculinity, peasants, ruralism, religion, Catholicism, Carlo Levi, Christ Stopped at Eboli, propaganda, national identity, aesthetics, politics
Published in RUNG: 16.01.2023; Views: 2909; Downloads: 0
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Abstract: This study mainly examines the prospect of utilizing the power of cinema to resolve humans’ conflicts. The research begins by analysing the psychology of human brain; how human brain functions, how belief systems are created, and most importantly, what is the cause of human disputes. The thesis then investigates the possibilities and pattern of psychological change. After uncovering how psychological change works, the research paper dives into comparing human psychology with the psychology of storytelling. The findings from this comparison are used to determine if storytelling can induce psychological change. At this point, the study is confronted by historical evidences, where the power of storytelling was exploited to control and manipulate people. However, upon further investigation on this issue, the duel power of storytelling is discovered, which suggest that story can be both propaganda and cure for propaganda. With these findings in hand, the research continues on its main pursuit; finding out if films can resolve conflicts. To do so, the thesis presents the history of film-making and its association with storytelling from its beginning. The research also looks into the power of film-making, and question if the power of film-making can be combined with the power of storytelling for artistic activism. The first part of thesis concludes by summarizing the findings of the study. The second part of the thesis analyses a short film, In The Nation Of Car Lovers, which was a practical part of the Master’s thesis. Finally, the thesis concludes by comparing the findings of the theoretical part to its utilization in the practical part of the thesis.
Keywords: Human Brain, Psychological change, Storytelling, Propaganda, Film-making, Activism
Published in RUNG: 13.10.2021; Views: 3873; Downloads: 135
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Abstract: Motivacija za to magistrsko delo je bilo avtoričino iskanje podobe; prav določene podobe, izgubljene v najglobljih predelih našega uma. Iskanje podobe, ki je nikoli nismo videli ali doživeli; podobe, ki je še nihče nikoli ni videl, ter ob tem izzvati čutila in človeško naravo v danem trenutku. Namen dela je iskati odgovore in si zastaviti vprašanja o tem, kako zelo ljudje zaupajo svojim čutom, ter se spraševati o njihovi zmožnosti, da spremenijo svoje vedenje in svoje rutine. Opazovati, ali si za nekaj sekund drznejo ugasniti luč in s tem pridobijo sposobnost, da vidijo na drugačen način. Ne preseneča dejstvo, da se ljudje močno zanašajo na svoj vid, zaradi česar preostala čutila postanejo nekako manj pomembna in zanesljiva. To delo z naslovom "Temna podoba – podoba, ki smo jo izgubili v temi", raziskuje moč podobe pri manipulaciji množice in vlogo medijev pri nadzoru in pranju možganov pripadnikom nove generacije. V magistrskem delu avtorica najprej predstavi projekte "Kumra 1", "Kumra 2" in "Kaj vidiš v temi?" – poskuse, izvedene v prvem in drugem letu raziskovanja, skozi katere predstavi analizo in opazovanje svojih eksperimentov. Ti predstavljajo začetek raziskovanja čutil v popolni temi, ki je nato pripeljalo do "Sestavljanke", praktičnega dela te naloge, ki se sprašuje o medijski manipulaciji z uporabo podobe.
Keywords: temna, nejasna, mračna, brez svetlobe, grozljiva, grozna, žalostna, zlobna, pomanjkanje svetlobe, slepa, globlje v odtenkih, ne svetla, skrita, skrivnostna, skrivnostna, brez moralne ali duhovne svetlobe, maligni, temničas, negativni, pesimistični, neprosvetljeni, temačnost, črnina, neznani, medijski nadzor, temna slika, družabni mediji, medijska manipulacija, propaganda, stereotip, pranje možganov
Published in RUNG: 10.12.2018; Views: 5654; Downloads: 204
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