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1.
Paranoia in Images
Roberta Battiston, 2015, undergraduate thesis

Abstract: “Strah” je resnični problem z resnično rešitvijo, medtem ko je “paranoja” nekaj kar je nezavedno ustvarjeno v naših mislih in jih lahko tako popolnoma prevzame, je t.i. “naprava moči”, kot v svoji teoriji navaja Michel Foucault. Na področju umetnosti, se je s tem fenomenom ukvarjalo že mnogo umetnikov, med katerimi so umetniško gibanje Preraphaelites, Vincent Van Gogh, ekspresionizem z Edvardom Munchem, Jamesom Ensorjem, Emilom Noldom, Egonom Schielom in Oskarjem Kokoshko, prav tako pa tudi surrealizem z slikarji kot so Salvador Dali, Renè Magritte in Max Ernst, so razsikovali področja sanj in domišljije. V fotografiji so pričeli raziskovati notranji svet človeškega bitja, najprej skozi piktorialistično gibanje nato pa še čez surrealizem v katerem so se umetniki kot Man Ray, André Kertész, Hans Bellmer, Philippe Halsman pričeli z eksperimentirati z novimi tehnikami. Lewis Carroll se je vdano posvetil fotografiranju mlade deklice nekje v sredini 19. stoletja. Temo otroštva je raziskovala tudi Loretta Lux. Med neosurrealističnime fotografe lahko spadajo Jerry Uelsmann, Robert in Shana Parke Harrison, Scarlota Ban, Brooke Shaden, Meggie Taylor, Robert Kusterle, Maurizio Frullani, Serigo Culoto, Sergio Scabar, Ingalisa Maria Fina, Enzo Tedeschi, Lorella Klun, Jennifer B Thoreson (Hudson) in Joel Peter Witkin. Jaques Rancière in Roland Barthes na z svojimi teorijami podajata ključ za branje slik v ne-seriji “Tempus Fugit, paranoia manent”. V svoji raziskavi sem želela raziskati zgodovinski razvoj povezave med umetniki in paranojo v namen razumevanja kako se je aktualna tema razvijala skozi leta in jo uporabiti kot začetno točko na poti do ustvarjanja svojega vizualnega jezika.
Found in: osebi
Keywords: #Fears #Paranoia #Devices of power #Biopolitics #Nightmares #Unconscious #Photography #Surrealism #Symbolism #Fairy tales
Published: 24.09.2015; Views: 4980; Downloads: 196
.pdf Fulltext (5,36 MB)

2.
Mourning process of family bereavement in Italian cinema
Elisabetta Gessi, 2021, undergraduate thesis

Abstract: This work is a study of the mourning process of family bereavement during the development of Italian cinema. The theoretical and practical part are extremely interconnected: starting from emblematic Italian films regarding death, this study further develops on pointing out how Italian authors put the mourning process into image. Moreover, three Italian films of the last decade are taken into account in the analysis: we underline the main characteristics and recurring themes of these aforementioned films. This thesis considers the theory and practice behind the making of EDEN, Diploma Film. In the last chapters we underline the whole process behind this short film, including the storyline, the meaning behind it, pre-production, production, and post production.
Found in: osebi
Keywords: film, smrt, žalovanje, postopki, čustva, italijanska kinematografija, diplomske naloge
Published: 02.07.2021; Views: 1032; Downloads: 49
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