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TrsT
Vanja Mervič, 2019, artistic work

Abstract: Video, ki je nastal v povezavi s štirimi literarnimi spomeniki v povečani resničnosti v Trstu. Dela, na katera se video nanaša: Marisa Madieri "Verde acqua", Boris Pahor "Kres v pristanu", Fulvio Tomizza "Materada", Irena Žerjal "Kreda in hijacinte". Video je del projekta Literarna pešpot/Itinerari leterari/Itinerario letterario; produkcija Raziskovalni center za humanistiko, Univerza v Novi Gorici in projekt EDUKA2: Čezmejno upravljanje izobraževanja/Governance transfrontaliera dell'istruzione. Zasnova literarnih pešpoti v Trstu: Narvika Bovcon, Ana Toroš, Aleš Vaupotič. Glasba Stefano Schiraldi "Sufia la bora".
Keywords: povečana resničnost, Trst, literatura na stičišču, silos slovenski Narodni dom, Pomol sv. Karla
Published in RUNG: 20.05.2019; Views: 3530; Downloads: 0
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4.
Vprašanje realizma
Aleš Vaupotič, 2019, scientific monograph

Abstract: Z nalogo pokazati, da je realistični diskurz aktualen mišljenjski model tudi v današnjem času, besedilo sledi krožni poti, ki jo predstavlja diagram treh tem iz izhodiščnega raziskovalnega vprašanja po današnji aktualnosti realističnega diskurza v luči literarnega realizma in novomedijske umetnosti. Prvi del razprave pregleda področje raziskav literarnega realizma, kot ga stroka razume v historičnem smislu za literarne pojave po letu 1830. Na kritičen način so predstavljene osrednje razlage realizma v literaturi. Izhodišče realističnega diskurza je kriza dejanskosti. Drugi del besedila osvetli problematiko sodobne umetniške ustvarjalnosti na prelomu 20. v 21. stoletje na področju novomedijske umetnosti. Tretji del razprave išče stične točke med literarnozgodovinskimi raziskavami in teoretskimi ter poetološkimi modeli sodobne umetnosti. Pristop, ki združuje na videz zelo različne pojave – literaturo in (praviloma računalniško podprte) nove medije – je v raziskovanju literarnega realizma novost. Prek prizem literarnega realizma in novomedijske umetnosti raziskava poišče rezultat, razlago realizma. Preprostega odgovora glede aktualnosti, npr. zgolj literarnega realizma v 21. stoletju, besedilo pravzaprav ne ponuja, skonstruira pa uporaben realistični način mišljenja sveta, v katerem živimo.
Keywords: realizem, literarni realizem, novi mediji, elektronski mediji, intermedijska umetnost, umetnost in znanost, teorija arhiva, pragmatizem, pragmaticizem, Hans Vilmar Geppert
Published in RUNG: 12.04.2019; Views: 3779; Downloads: 0
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5.
THE AUTOBIOGRAPHICAL EXPERIENCE OF MIGRATION IN THE LITERARY WORKS OF WOMEN WRITERS OF THE SLOVENIAN LITERARY POLYSYSTEM
Megi Rožič, 2016, doctoral dissertation

Abstract: People have travelled and migrated since the early periods of history and the phenomenon of migration, defined as “the movement of large numbers of people, birds or animals from one place to another” (Oxford Advanced Dictionary, 7th ed.) has a history of hundreds of years (Pourjafari, Vahidpour, 2014) and is by no means new. But the way of travelling, migrating and mobility in contemporary reality does have many specific aspects and recently it has been studied in new ways, with new concerns. The experience of migration in the contemporary world is a fundamental characteristic of human societies. “It is a system in which the circulation of people, sources and information follows multiple paths. The energy and barriers that alter the course or deflect the contemporary patterns of movement have both obvious and hidden features. While nothing is utterly random, the consequences of change are often far from predictable” (Papastergiadis, 2000: 1). This unpredictability and multidirectionality has led to changes in approaches to the study of migration in recent decades. In the last few decades the study of migration has increasingly been accompanied by a tendency to study it on the individual level − at the level of personal life stories (Milharčič Hladnik, 2007). These are also markedly expressed in the medium of literature. The present dissertation presents literary oeuvres of seven women writers, who thematise the autobiographical experience of migration, it offers an individually, woman-centred experience and view of migration. In selected oeuvres personal views are expressed on that experience, different strategies of coping with life in new realities and regarding relationships in these environments. The thematisation of the experience of migration in selected oeuvres is also connected with a problematisation of other concepts: the concepts of belonging, borders, nation-state, culture and language. It is also vitally connected with the personal identity construction of the lyrical subjects and literary characters and also because of the autobiographical character of selected literary works of the literary artists themselves. The experience of migration in selected literary works leads to unique identity formations, which in themselves combine elements of different cultural backgrounds and traditions. In their literary works these selected women writers also shape their relationship toward time and space dimensions, tradition and interpersonal relationships through the experience of migration. The experience of migration, the relocation of the subject and a change of the geographical area in selected oeuvres, does not only represent a change of the geographical position: it also allows a deviation from other rigid and seemingly fixed and unvarying patterns and virtual realities that accompany human life. Migration can also present an alienation effect from traditionalisms and determinants that define human lives. In the literary oeuvres of these selected women writers, migration is only in part tied to the traditional concepts related to migrants, with the loss of roots and rupture with the place of origin. In the selected literary oeuvres, migrants are rarely considered to be uprooted and unable to find their anchor or confidently start a new chapter in their lives in a new environment. Migration is mostly connected with the possibility of expanding the horizon of insights and perspectives of looking at life, with the acceptance of its complexities, ambiguities and incompleteness. Mostly, the experience of migration is seen as a new, creative option, which opens and examines the wide range of other issues and dilemmas. The condition of uprooted loss has traditionally negative connotations, but in the selected oeuvres vagueness and fluidity allow a real insight into the real, complex nature of life and human existence.
Keywords: The experience of migration, women writers, Maruša Krese, Ifigenija Zagoričnik Simonović, Brina Švigelj-Mérat − Brina Svit, Gabriela Babnik, Stanislava Chrobáková Repar, Erica Johnson Debeljak, Lidija Dimkovska, literary polysystem, nomadic entity, locational feminism, fluid identity, transnationalism, transculturalism
Published in RUNG: 11.10.2016; Views: 7214; Downloads: 474
.pdf Full text (1,78 MB)

6.
Meritve
Narvika Bovcon, Vanja Mervič, Aleš Vaupotič, 2015, artistic work

Abstract: Žanr: umetniški video. Dimenzije: UHD (3840 × 2160 slikovnih točk, ležeče, 25 sličic/sek.). Trajanje: 5 min. 38 sek. Format: .s4ud (SAMSUNG UHD TV), neskončna zanka predvajanja 5 datotek. 2015. Produkcija: Univerza v Novi Gorici, projekt SUNGREEN. Videi so bili narejeni z elektronskim vrstičnim mikroskopom v Centru za raziskave materialov na Univerzi v Novi Gorici v okviru Evropskega projekta SUNGREEN. Operater mikroskopa in priprava vzorcev: doc. dr. Mattia Fanetti. Uporabljeni so bili vzorci materialov iz raziskav doc. dr. Saima Emina ter vzorci nanožic dr. Silvie Rubini in dr. Valentine Zannier (IOM-CNR, Laboratorij TASC). Avtorji projekta se zahvaljujejo prof. dr. Matjažu Valantu in rektorju Univerze v Novi Gorici prof. dr. Danilu Zavrtaniku.
Keywords: tehniška slika, novomedijska umetnost, UHD video, materiali, mikroskopija, vrstični elektronski mikroskop, SEM
Published in RUNG: 12.05.2016; Views: 6404; Downloads: 463
.zip File (5,39 GB)

7.
Bakrov klorid – 1 μm
Narvika Bovcon, Aleš Vaupotič, 2014, artistic work

Abstract: Narvika Bovcon, Aleš Vaupotič, v sodelovanju z: Saim Emin (priprava vzorcev), Mattia Fanetti (operater vrstičnega elektronskega mikroskopa). Digitalna grafika, steklo, okvir, dimenzije: 65 × 56 cm (ležeče), črno-belo. 2014. Produkcija: Univerza v Novi Gorici, projekt SUNGREEN.
Keywords: tehniška slika, novomedijska umetnost, materiali, mikroskopija, vrstični elektronski mikroskop, SEM
Published in RUNG: 12.05.2016; Views: 4860; Downloads: 25
.zip File (11,55 MB)

8.
Bakrov klorid – 10 nm
Narvika Bovcon, Aleš Vaupotič, 2014, artistic work

Abstract: Narvika Bovcon, Aleš Vaupotič, v sodelovanju z: Saim Emin (priprava vzorcev), Mattia Fanetti (operater vrstičnega elektronskega mikroskopa). Digitalna grafika, steklo, okvir, dimenzije: 65 × 56 cm (ležeče), črno-belo. 2014. Produkcija: Univerza v Novi Gorici, projekt SUNGREEN.
Keywords: tehniška slika, novomedijska umetnost, materiali, mikroskopija, vrstični elektronski mikroskop, SEM
Published in RUNG: 12.05.2016; Views: 5274; Downloads: 21
.zip File (11,80 MB)

9.
Bakrov klorid/ – 100 μm
Narvika Bovcon, Aleš Vaupotič, 2014, artistic work

Abstract: Narvika Bovcon, Aleš Vaupotič, v sodelovanju z: Saim Emin (priprava vzorcev), Mattia Fanetti (operater vrstičnega elektronskega mikroskopa). Digitalna grafika, steklo, okvir, dimenzije: 65 × 56 cm (ležeče), črno-belo. 2014. Produkcija: Univerza v Novi Gorici, projekt SUNGREEN.
Keywords: tehniška slika, novomedijska umetnost, materiali, mikroskopija, vrstični elektronski mikroskop, SEM
Published in RUNG: 12.05.2016; Views: 4941; Downloads: 26
.zip File (15,23 MB)

10.
Bakrov klorid – 100 nm
Narvika Bovcon, Aleš Vaupotič, 2014, artistic work

Abstract: Narvika Bovcon, Aleš Vaupotič, v sodelovanju z: Saim Emin (priprava vzorcev), Mattia Fanetti (operater vrstičnega elektronskega mikroskopa). Digitalna grafika, steklo, okvir, dimenzije: 65 × 56 cm (ležeče), črno-belo. 2014. Produkcija: Univerza v Novi Gorici, projekt SUNGREEN.
Keywords: tehniška slika, novomedijska umetnost, materiali, mikroskopija, vrstični elektronski mikroskop, SEM
Published in RUNG: 12.05.2016; Views: 5169; Downloads: 24
.zip File (10,36 MB)

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