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Title: Peirceova teorija raziskave kot poetološki model : primer literarnega realizma Authors: ID Vaupotič, Aleš (Author) Files: http://www.dlib.si/details/URN:NBN:SI:DOC-4SYFVACS   Language: Slovenian Work type: Not categorized Typology: 1.01 - Original Scientific Article Organization: UNG - University of Nova Gorica Abstract: Članek predstavi filozofijo Charlesa Sandersa Peircea kot most med področjema t. i. eksaktnih znanosti ter humanistike in umetnosti. S pomočjo Hansa Vilmarja Gepperta in njegove teorije literarnega realizma, tj. njegove peirceovske "realistične semiotike", članek odkrije znanstveno metodologijo pod krinko poetološkega vzorca. Geppertova uporaba semiotike pri raziskavah literarnega realizma in komunikacije nasploh ponuja dva izvirna uvida: poleg ponovnega ovrednotenja historičnega realizma 19. stoletja vzpostavlja Peirceova teorija raziskovanja kot pragmaticistični odgovor na neposredno soočenje s krizo komunikacije živ poetološki model, uporaben tudi za današnje umetnosti. Dialog med znanostmi ter humanistiko in umetnostmi tako postane spet mogoč. Keywords: umetnost in znanost, humanistika, semiotika, realizem Publisher: Slovensko društvo za primerjalno književnost Year of publishing: 2012 Number of pages: str. 83-93, 225-236 Numbering: Letn. 35, št. 2 PID: 20.500.12556/RUNG-2053  COBISS.SI-ID: 49711970  ISSN: 0351-1189 UDC: 82.0:001.3 NUK URN: URN:SI:UNG:REP:4NVM9CAY Publication date in RUNG: 05.01.2016 Views: 5318 Downloads: 44 Metadata:     Cite this work Plain text BibTeX EndNote XML EndNote/Refer RIS ABNT ACM Ref AMA APA Chicago 17th Author-Date Harvard IEEE ISO 690 MLA Vancouver : Copy citation

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Secondary language

Language:	English
Title:	Peirce's theory of inquiry as a poetological model
Abstract:	The article presents the philosophy of Charles Sanders Peirce as a bridge between the so-called hard sciences, on the one hand, and the humanities and the arts, on the other. By following Hans Vilmar Geppert's theory of literary realism, that is, his Peircean 'realist semiotics', a scientific methodology can be traced in a poetological model. Geppert's application of semiotics to literary realism and to general issues of communication offers two original insights: besides re-evaluating the historical realism of the nineteenth century, his theory of inquiry as the pragmaticist response to an immediate communicative crisis proposes a viable poetological model for today's artistic needs as well, thereby making the dialogue between science and the humanities or arts possible once again.
Keywords:	art and science, humanities, semiotics, realism

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