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Title: FILMIC QUALITIES OF ARTIFICIAL WORLDS: WHY VIRTUAL AND AUGMENTED REALITY? Authors: ID Purg, Peter (Other) Files: This document has no files that are freely available to the public. This document may have a physical copy in the library of the organization, check the status via COBISS.  Language: English Work type: Not categorized Typology: 3.25 - Other Performed Works Organization: UNG - University of Nova Gorica Abstract: An increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them world An increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them world An increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them world An increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them world An increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them world An increasing number of filmmakers and film exhibitors, among them world An increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them world An increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them world An increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them world An increasing number of filmmakers and film exhibitors, among them world An increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them world An increasing number of filmmakers and film exhibitors, among them world An increasing number of filmmakers and film exhibitors, among them world An increasing number of filmmakers and film exhibitors, among them world An increasing number of filmmakers and film exhibitors, among them world An increasing number of filmmakers and film exhibitors, among them world An increasing number of filmmakers and film exhibitors, among them world An increasing number of filmmakers and film exhibitors, among them world An increasing number of filmmakers and film exhibitors, among them world An increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them worldAn increasing number of filmmakers and film exhibitors, among them world -renowned directors and film renowned directors and film renowned directors and film renowned directors and film renowned directors and film renowned directors and film renowned directors and film renowned directors and film renowned directors and film renowned directors and film renowned directors and film renowned directors and film renowned directors and film renowned directors and film renowned directors and film renowned directors and film renowned directors and film renowned directors and film festivals, have been recently flirting with the newest technologies of artificial reality. 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Keywords: VR, XR, augmented, vritual, reality Place of performance: Izola, Palača Manzioli, festival Kinootok Year of performance: 2018 PID: 20.500.12556/RUNG-3968-ad38a5dc-2040-683b-1d8a-717c71159fae  COBISS.SI-ID: 5167611  NUK URN: URN:SI:UNG:REP:TWZJLQGY Publication date in RUNG: 13.06.2018 Views: 4647 Downloads: 0 Metadata:    Cite this work Plain text BibTeX EndNote XML EndNote/Refer RIS ABNT ACM Ref AMA APA Chicago 17th Author-Date Harvard IEEE ISO 690 MLA Vancouver : Copy citation

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Secondary language

Language:	Slovenian
Title:	FILMIČNOST UMETNIH SVETOV: ZAKAJ NAVIDEZNA IN RAZŠIRJENA RESNIČNOST?
Abstract:	Nekateri filmski ustvarjalci in prikazovalci, med njimi svetovno prepoznavni režiserji in najvidnejši filmski festivali, se v zadnjih letih vse intenzivneje spogledujejo z najnovejšimi tehnologijami navidezne resničnosti. Ponujajo navidezno resničnost (ang. virtual reality), doživetje razširjene ali dopolnjene resničnosti (ang. augmented reality), transmedijsko podajanje zgodb itd. Pri tem se vprašanja o ne-filmičnosti tovrstnih del vzporejajo z obeti vznemirljivih možnosti prepletanja filmske ali video ter zvočne umetnosti z navideznimi svetovi in tehnologijami prihodnosti. Te s seboj prinašajo nove prakse in možnosti ustvarjalnosti, pa naj gre za potopitev v navidezne svetove, razvoj domišljijskih likov, kompleksno pripovedovanje zgodb, tako v službi visoke umetnosti kot zgolj trženjskih ciljev. Kako obravnavati ta (navidezno) svež pojav v filmskem svetu? Morda gre samo za nove izvedbe zamisli s samega začetka kina?
Keywords:	VR, XR, razširjena, navidezna, resničnost

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