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Title:Razvoj celovečernega igranega filma do produkcije : Primerjalna študija slovenske predprodukcije
Authors:ID Rutar, Jožko (Mentor) More about this mentor... New window
ID Vrhovec, Boštjan (Mentor) More about this mentor... New window
ID Horvat, Kaja (Author)
Files:.pdf Kaja_Horvat.pdf (1,67 MB)
MD5: 69B3C229543905A4196805FE25EF013D
 
.zip Kaja_Horvat.zip (45,17 MB)
MD5: 4C2412A248A3B176463EF31CACA2101F
 
Language:Slovenian
Work type:Bachelor thesis/paper
Typology:2.11 - Undergraduate Thesis
Organization:AU - School of Arts
Abstract:Diplomsko delo govori o filmskem ustvarjanju od razvoja ideje filma do začetka produkcijske faze oziroma snemanja filma. Posveča se natančnemu raziskovanju vseh korakov, ki jih je treba opraviti. Na začetku dela predstavimo idejno fazo, sledi faza razvoja, kjer opišemo ključne naloge od pisanja scenarija do načrta distribucije, razčlenitve scenarija, ustvarjanja proračuna in financiranja filma. V naslednjem delu opišemo fazo predprodukcije, kjer raziskujemo osnovne značilnosti sestave produkcijske in tehnične ekipe, izbora lokacij in izbora igralcev. Teoretični del zaključimo z razlago zavarovanj in pravnih dokumentov, potrebnih za ustvarjanje filma. Nadaljujemo s kvalitativno primerjavo, ki je bila opravljena z intervjuvanjem štirih slovenskih producentov nedavnih celovečernih filmov. Intervjuji so bili opravljeni z Marino Gumzi, producentko filma Zgodbe iz kostanjevih gozdov, Andražem Jeričem, producentom filma Posledice, Ido Weiss, producentko filma Ne pozabi dihati, ter Danijelom Hočevarjem in Uršo Menart, producentom in režiserko filma Ne bom več luzerka. Diplomsko delo zaključimo s povzetimi informacijami o ustvarjanju filma do produkcijske faze, ki so bile pridobljene z opravljenimi intervjuji.
Keywords:film, filmska predprodukcija, proračun, snemalni plan, urnik, produkcijska tabla, zavarovanje, financiranje
Place of publishing:Nova Gorica
Year of publishing:2020
PID:20.500.12556/RUNG-5862 New window
COBISS.SI-ID:31025155 New window
NUK URN:URN:SI:UNG:REP:PM7R0XYE
Publication date in RUNG:05.10.2020
Views:3060
Downloads:107
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Secondary language

Language:Undetermined
Abstract:The diploma thesis deals with filmmaking from the development of the idea for the film to the beginning of the production phase. It focuses on thoroughly exploring all of the steps that need to be taken in the development and pre-production phase. The thesis opens with a study of the conceptual phase, followed by the development phase, where it describes the key tasks, ranging from writing the script to the distribution plan, breaking down the script, creating a budget and financing the film. The next phase is the pre-production phase, where the thesis explores the basic capabilities of the production and technical teams, the selection of locations and casting. The theoretical part concludes with an explanation of the insurance and the legal documents required for making a film. The theoretical part is followed by a qualitative comparison of the pre-production of four recent, successful Slovenian feature fiction films. Interviews were made with Marina Gumzi, producer of the film Stories from Chestnut Woods, Andraž Jerič, producer of the film Consequences, Ida Weiss, producer of the film Don't Forget to Breathe, and Danijel Hočevar and Urša Menart, producer and director of the film My Last Year as a Loser. The thesis concludes with a summary of information on making films up to the production phase, which were obtained through the interviews.
Keywords:film, film pre-production, budget, shooting plan, schedule, production board, insurance, financing


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