Repository of University of Nova Gorica

Show document
A+ | A- | Help | SLO | ENG

Title:PHOTOGRAPHY AND THE NARRATIVE : How stories are told through the photographic medium
Authors:ID Smrekar, Tina (Mentor) More about this mentor... New window
ID Sluga, Ana (Mentor) More about this mentor... New window
ID Biagi, Tiziano (Author)
Files:.pdf Tiziano_Biagi.pdf (16,30 MB)
MD5: 0C6E551C0C43CCF4E28FE86D1FA5CCEE
 
.zip Tiziano_Biagi.zip (24,99 MB)
MD5: A23E584F8200B8AB215D50A8C5A99953
 
Language:English
Work type:Bachelor thesis/paper
Typology:2.11 - Undergraduate Thesis
Organization:AU - School of Arts
Abstract:Some of the earliest pieces of evidence in art history show how people told stories with pictures and, throughout the centuries, this habit developed with the introduction of new techniques, themes, and tools. Given the value of authenticity that has often been ascribed to photography since its invention, this medium had to overcome criticism before its value as fine art was recognised. This diploma thesis analyses in which ways photography is capable to carry narratives. It also analyses the roles that the viewer, the photographer, and the image itself play in this process. To do so, this work examines notable theories on the topic, the intentions behind the photographers’ creative process, and the visual components of images. By focusing both on ideas introduced by scholars and on photographic works – including my diploma project Dune Mosse – the thesis underlines the importance that social and cultural contexts have in the narration of a story.
Keywords:Narrative, Storytelling, Interpretation, Context, Intention, Viewer, Image, Photographer, Photographic genres, Personal documentary photography
Place of publishing:Nova Gorica
Year of publishing:2020
PID:20.500.12556/RUNG-5870 New window
COBISS.SI-ID:32298243 New window
NUK URN:URN:SI:UNG:REP:IDFVKNCY
Publication date in RUNG:13.10.2020
Views:3623
Downloads:132
Metadata:XML RDF-CHPDL DC-XML DC-RDF
:
Copy citation
  
Average score:(0 votes)
Your score:Voting is allowed only for logged in users.
Share:Bookmark and Share


Hover the mouse pointer over a document title to show the abstract or click on the title to get all document metadata.

Secondary language

Language:Slovenian
Title:FOTOGRAFIJA IN PRIPOVED : Kako se zgodbe pišejo skozi fotografski medij
Abstract:Pripovedovanje zgodb s podobami je prisotno tudi v najzgodnejših primerih umetnosti v človeški zgodovini. Gre za prakso, ki se je skozi stoletja razvijala z novimi tehnikami, temami in mediji. Zavoljo avtentičnosti, ki je vse od njene iznajdbe mnogokrat pripisana fotografiji, je ta medij moral najprej preseči kritike, preden je bil prepoznan kot umetnostni izraz. Delo analizira možnosti ustvarjanja naracije, ki jo lahko nosi fotografija. Obenem proučuje vloge, ki jih gledalec, fotograf in podoba sama igrajo v tem procesu. Temu sledeč delo raziskuje pomembne teorije izbranega področja, namene ustvarjalnega procesa fotografa in vizualne komponente slik. Z osredotočenjem tako na ideje teoretikov kot tudi na fotografska dela – vključujoč moj diplomski projekt Dune Mosse – naloga poudari pomembnost družbenih in kulturoloških kontekstov v naraciji zgodbe.
Keywords:Narativno, Pripovedovanje, Interpretacija, Kontekst, Namen, Gledalec, Slika, Fotograf, Fotografski žanri, Osebna dokumentarna fotografija


Back