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Title:Red modernism : the films of Miklos Jansco
Authors:ID Samardzija, Zoran (Interviewee)
ID Shaviro, Steven (Interviewee)
ID Polónyi, Eszter (Interviewee)
ID Swenson, Tommy (Interviewer)
Files: This document has no files that are freely available to the public. This document may have a physical copy in the library of the organization, check the status via COBISS. Link is opened in a new window
Video files:
Language:English
Work type:Unknown
Typology:2.19 - Radio or television broadcast, podcast, interview, press conference
Organization:UNG - University of Nova Gorica
Abstract:One of the most acclaimed Eastern European directors of the late 1960s, Miklos Jancsó became known for his abstract long-take style which explored the intersections of power, politics, history, and myth. (“Radical form in the service of radical content,” as the Village Voice film critic, James Hoberman, put it back then.) Now that the Beacon Cinema in Columbia City is hosting a retrospective of six of his films (including Red Psalm, which won him the best director prize at the 1972 Cannes Film Festival), Red May has invited three film scholars--Eszter Polonyi, Zoran Samardzija, and Steven Shaviro—to discuss Jancsó’s boldly stylized film language with Tommy Swenson, Film Curator of the Beacon Cinema
Keywords:Film history, East-Central cinemas, political cinema, art history
Place of publishing:Seattle
Place of performance:Seattle
Publisher:Red May TV, YouTube distributer
Year of publishing:2022
Year of performance:2022
Number of pages:1 spletni vir (1 videodatoteka (1 ura, 46 min, 52 sek))
PID:20.500.12556/RUNG-7350 New window
COBISS.SI-ID:109797123 New window
UDC:778.5
NUK URN:URN:SI:UNG:REP:IUSP8NJB
Publication date in RUNG:31.05.2022
Views:1716
Downloads:7
Metadata:XML RDF-CHPDL DC-XML DC-RDF
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Secondary language

Language:Slovenian
Keywords:zgodovina filma, vzhodno-centralni filmi, politični film, zgodovina umetnosti


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