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Title:Metateatralni elementi u drami Narodni demokratski cirkus Sakešvili Roka Vilčnika
Authors:ID Ilin, Darko (Author)
Files: This document has no files that are freely available to the public. This document may have a physical copy in the library of the organization, check the status via COBISS. Link is opened in a new window
Language:Serbian (cyrillic)
Work type:Unknown
Typology:1.08 - Published Scientific Conference Contribution
Organization:UNG - University of Nova Gorica
Abstract:U ovom radu biće analiziran način na koji drama Narodni demokratski cirkus Sakešvili (Ljudski demokratični cirkus Sakešvili) prevazilazi tradicionalnu dramsku formu i samim tim komunicira sa stvarnošću i ostvaruje interaktivan odnos sa gledaocima. Kao teorijski okvir za ovu temu biće korišćeni radovi Zorana Milutinovića i Barbare Orel koji se tiču metateatralnosti. Cilj ovoga rada je da prikaže kojim sredstvima se ova drama služi kako bi izašla iz tradicionalnih okvira, kao i način na koji se metateatralni aspekti ove drame povezuju sa sadržinskim. Zaključci ovog rada tiču se značaja metateatralnih elemenata za dramu, a posebno načina na koji metateatralni elementi podupiru semantička jezgra drame i ističu njen kritički karakter.
Keywords:metateatralnost, dramska forma, Rok Vilčnik, interaktivnost, društvena kritika.
Year of publishing:2023
Number of pages:Str. 151-157
PID:20.500.12556/RUNG-8197-fb6189c7-5207-215d-4f59-271e680a0440 New window
COBISS.SI-ID:151767811 New window
UDC:82.0
NUK URN:URN:SI:UNG:REP:DU7V9KEV
Publication date in RUNG:11.05.2023
Views:972
Downloads:0
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Record is a part of a monograph

Title:Nauka i studenti
Subtitle:STUDKON 4
Editors:Ljiljana Skrobić
Place of publishing:Niš
Publisher:Filozofski fakultet Univerziteta
Year of publishing:2023
ISBN:978-86-7379-614-7
COBISS.SI-ID:151765251 New window

Secondary language

Language:English
Title:Elements of Metatheatre in the Play People's Democratic Circus Sakeshvili by Rok Vilčnik
Abstract:This paper will analyze the way in which the play People’s Democratic Circus Sakeshvili (Ljudski demokratični cirkus Sakešvili) surpasses the traditional form of play and also how it communicates with reality and how it interacts with the spectators. Works of Zoran Milutinović and Barbara Orel that are related to the metatheatre will be used as a theoretical frame for this paper. The aim of this paper is to present the means of surpassing the play’s traditional borders, as well as the way in which the aspects of metatheatre are connected with the contents of the play. The conclusions of this paper are concerned with the meaning of the play’s aspects of metatheatre, especially the manner in which the elements of metatheatre support the semantic cores of the play thus pointing out its elements of criticism.
Keywords:metateatralnost, dramska forma, interaktivnost, družbena kritika


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