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Title: Nadomestni prevoz : težave nizkocenovne, neodvisne filmske produkcije Authors: ID Logar, Ana (Author) ID Turk, Martin (Mentor) More about this mentor... ID Močnik, Varja (Mentor) More about this mentor... Files: Ana_Logar.pdf (4,13 MB) MD5: 96A779A744DD5AD288CD6C3F277D51F6   Ana_Logar.zip (140,13 MB) MD5: 3AD30CF03C9C292FDAE46FA8C906E2D2   Language: Slovenian Work type: Bachelor thesis/paper Typology: 2.11 - Undergraduate Thesis Organization: AU - School of Arts Abstract: Vsaka filmska produkcija je sestavljena iz predprodukcije, produkcije in postprodukcije. Diplomsko delo govori o težavah v vseh fazah ustvarjalnega procesa. Vsako poglavje se začne s prikazom, kako naj bi v profesionalnem svetu filma posamezna faza produkcije potekala, nato pa opisuje mojo lastno izkušnjo in težave, na katere smo z ekipo med ustvarjanjem naleteli. Teoretični deli so povzeti iz literature in intervjuja s slovensko asistentko režije Urško Kos. Nalogo začnem z opisom predprodukcije in njenih podpoglavj, kjer bralec lahko vidi, kaj vse je treba narediti, preden sploh lahko začnemo snemati film: od ideje do scenarija, iskanja ekipe, igralcev in lokacij ter do izposoje opreme tik pred snemanjem. Z opisom osebnega doživljanja vsake faze predprodukcije prikažem, koliko stvari gre lahko narobe že pri na videz povsem preprostih zadevah. V nadaljevanju diplomska naloga govori o produkciji filma oziroma o snemanju. Vsak snemalni dan povzamem v svojem poglavju ter opišem delo na setu med snemanjem kratkega filma. V primerjavi z navedenimi profesionalnimi okoliščinami, kjer popišem vse potrebne člane ekipe za potek snemanja, je vidno pomanjkanje ekipe v pri snemanju študentskega filma. V opisu zadnje faze, postprodukcije, naloga govori o delu na filmu po tem, ko je film posnet: od prvega pregledovanja materiala do montaže, po končani montaži slike pa urejanje barv slike in montaža zvoka. Faza ustvarjanja filma, ki pretežno poteka na računalnikih, a vendarle z raznolikimi zapleti. Zaključek je namenjen predvsem bralcem, ki se bodo v prihodnosti prvič srečevali s filmsko produkcijo. Celotna naloga je napisana z mislijo na generacije za menoj, ki se bodo s težavami filmske produkcije še srečevale, in z upanjem, da jim bo morda moja izkušnja pomagala pri prvih korakih. Zato v zaključku zapišem tudi nekaj vzpodbudnih besed. Keywords: film, filmska produkcija, težave, snemanje, predprodukcija, postprodukcija, igralci, ekipa, scenarij, montaža, diplomske naloge Publication status: Published Publication version: Version of Record Place of publishing: Nova Gorica Place of performance: Nova Gorica Publisher: A. Logar Year of publishing: 2024 Year of performance: 2024 Number of pages: 65 str. PID: 20.500.12556/RUNG-9304  COBISS.SI-ID: 209421059  UDC: 778.5 NUK URN: URN:SI:UNG:REP:O3YHKLJQ Publication date in RUNG: 30.09.2024 Views: 437 Downloads: 11 Metadata:    Cite this work Plain text BibTeX EndNote XML EndNote/Refer RIS ABNT ACM Ref AMA APA Chicago 17th Author-Date Harvard IEEE ISO 690 MLA Vancouver : Copy citation

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License:	CC BY-NC-ND 4.0, Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International
Link:	http://creativecommons.org/licenses/by-nc-nd/4.0/
Description:	The most restrictive Creative Commons license. This only allows people to download and share the work for no commercial gain and for no other purposes.
Licensing start date:	13.09.2024

Secondary language

Language:	English
Title:	ALTERNATIVE TRNSPORT : primer: študentski film Nadomestni prevoz
Abstract:	Every film production consists of pre-production, production and post-production. This thesis talks about the difficulties of each stage of the creative process. At the beginning of each chapter I describe how phases of production should look like in the professional world of film, and then I detail my own experiences and the problems we encountered. Theoretical parts are taken from the literature and an interview with the Slovenian assistant director Urška Kos. The thesis starts with pre-production and its sub-chapters, where the reader encounters all that needs to be done before we even start shooting a film: from the idea to the script, finding the crew, actors and locations and renting the equipment before the shoot. By personally experiencing each phase, I describe many things that can go wrong with even simple matters of organization. Further, the diploma thesis talks about film production or filming. Each shooting day is described in respective chapters, which present the work on the set during the filming of the short film. One can detect the lack of team members in the student production compared to the listed necessary roles in the film crew needed for the smoothest possible shooting period. In the description of the final stage of post-production, the thesis talks about what needs to be done to finish the film after the film is shot: from the first inspection of the material to the editing, and after that the color correction and sound editing. The stage of production that mainly takes place on computers, but can still arouse various complications. The conclusion is intended primarily for the readers who will in the future themselves encounter film production for the first time. The entire assignment is written with the future generations in mind, the students who will face problems of low (or almost no) budget production, and with hope that my experience will help them with their first steps. Thus, there are also some encouraging words in the conclusion.
Keywords:	film, film production, problems, shooting/filming, pre-production, production, post-production, actors, team, script, editing, sound

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