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Title:Dreamer : live coding, algorave and the artistic exploration of dreams
Authors:ID Mihajlović, Lazar (Author)
ID Purg, Peter (Mentor) More about this mentor... New window
ID Hribernik, Jasna (Mentor) More about this mentor... New window
Files:.pdf Lazar_Mihajlovic.pdf (2,90 MB)
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.zip Lazar_Mihajlovic.zip (255,09 MB)
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Language:English
Work type:Master's thesis/paper
Typology:2.09 - Master's Thesis
Organization:AU - School of Arts
Abstract:Observing the developments and intersections between music, graphics, video, code and club culture in the music scene around the year 2010, primarily based in England, a new cultural movement known as ”Algorave” has emerged, reshaping the boundaries of new artistic expression. While the practices of live and creative coding had been present on the global stage for some time, the “Algorave” scene emerges as a unique blend of these artistic directions, combining various elements and offering a distinctive sound-visual artistic expression. Unlike traditional music performances, artists of this movement openly share their live coding processes with the audience, guiding them through the entire process of the performance. By utilizing live coding as the primary artistic tool and integrating it with artificial intelligence, the work Dreamer demonstrates a fusion of these two approaches. It visually explores dreams using images generated by AI technology. These images are then manipulated through live coding techniques, creating a visual narrative that is accompanied by ambient-electronic sounds. The sound complements the visual elements, achieved through the use of various synthesizers, samplings and granular synthesis, a technique that fragments sound into small grains to create complex sound textures. Beyond its practical execution, Dreamer addresses dreams as something unknown and undisclosed. It raises the question of whether dreams can be considered insights into our parallel lives, or are they merely products of our imagination? Should we explore them rather than just observe them? Based on these questions, the work examines dreams through programming and technology, seeking new possibilities for artistic expression.
Keywords:code, sound, algorithm, visual art, algorave, technology, master's thesis
Place of publishing:Nova Gorica
Place of performance:Nova Gorica
Publisher:L. Mihajlović
Year of publishing:2024
Year of performance:2024
Number of pages:59 str.
PID:20.500.12556/RUNG-9330 New window
COBISS.SI-ID:210138115 New window
UDC:7.036/.038
NUK URN:URN:SI:UNG:REP:48PN3NQA
Publication date in RUNG:03.10.2024
Views:62
Downloads:0
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Licences

License:CC BY-NC-ND 4.0, Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International
Link:http://creativecommons.org/licenses/by-nc-nd/4.0/
Description:The most restrictive Creative Commons license. This only allows people to download and share the work for no commercial gain and for no other purposes.
Licensing start date:23.09.2024

Secondary language

Language:Slovenian
Title:Sanjač : master's thesis
Abstract:Pri proučevanju razvoja in analizi presečišča med glasbo, grafiko, videom, kodo in klubsko kulturo na glasbeni sceni okoli leta 2010, predvsem v Angliji, naletimo na novo kulturno gibanje, znano kot “algorave”, ki je preoblikovalo meje umetniškega izražanja. Medtem ko so bile prakse kreativnega programiranja v živo že nekaj časa prisotne na svetovni sceni, se je algorave scena pojavlja kot edinstveno zlitje zgoraj naštetih umetniških smeri, ki združuje različne elemente le teh in ponuja svojevrsten zvočno - vizualni umetniški izraz. Za razliko od tradicionalnih glasbenih nastopov umetniki tega gibanja na svojih performansih razkrivajo svoj proces programiranja v živo publiki in jo vodijo skozi celoten potek nastopa. Z uporabo programiranja v živo kot primarnim umetniškim orodjem, v povezavi z umetno inteligenco, delo z naslovom Sanjač prikazuje zlitje teh dveh pristopov. Vizualni del projekta raziskuje sanje z uporabo slik, ustvarjenih z AI tehnologijo. Te slike so potem problikovane s programiranjem v živo, kar ustvarja vizualno naracijo, ki jo spremljajo ambientalno-elektronski zvoki. Zvok dopolnjuje vizualne elemente, z uporabo različnih sintisajzerjev, vzorčenjem in tehniko zrnate sinteze, tehnike, ki fragmentira zvok na majhna zrnca, da ustvari kompleksne zvočne teksture. V vsebinskem smislu, Sanjač obravnava sanje kot nekaj neznanega in nerazkritega. Postavlja vprašanje, ali lahko sanje obravnavamo kot vpogled v naša vzporedna življenja, ali pa gre zgolj za plod naše domišljije? Bi jih morali raziskati in ne le opazovati? Na podlagi teh vprašanj delo preizprašuje sanje s pomočjo programiranja in tehnologije in išče nove možnosti umetniškega izražanja.
Keywords:koda, zvok, algoritmi, vizualna umetnost, tehologija, magistrske naloge


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