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Title:Accelerato : vpeljevanje readymade-a in destrukcije v konceptualno fotografijo
Authors:ID Carlevaris, Luka (Author)
ID Žnidarčič, Tadej (Mentor) More about this mentor... New window
ID Dekleva, Luka (Mentor) More about this mentor... New window
Files:.pdf Luka_Carlevaris.pdf (6,65 MB)
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Language:Slovenian
Work type:Master's thesis/paper
Typology:2.09 - Master's Thesis
Organization:AU - School of Arts
Abstract:Magistrsko delo Vpeljevanje readymade-a in destrukcije v konceptualno fotografijo obravnava konceptualno umetnost ter fotografijo tega področja. Delo je razdeljeno na dva dela. Ker je moja glavna tema praktičnega dela prikazati problematiko dirkaškega športa skozi fotografsko instalacijo, prvi del govori o konceptualni umetnosti in dveh ustvarjalnih pristopov, ki sta zanjo značilna. To sta uporaba readymade objektov ter različni postopki uničevanja umetniških del. Za temo raziskovanja sem si zadal opisati, kakšni procesi spremenijo vsakdanje objekte in dejanja destrukcije v umetniško kreacijo. S tem želim, da bi bralec spoznal, da imajo lahko navadni predmeti ter postopki zažiganja ali brisanja tudi izrazno vrednost, če za njimi stoji konkretna idejna zasnova. Ker je temeljni medij praktičnega dela magistrskega dela fotografija, se drugi del posveča konceptualni fotografiji, predstavlja njen razvoj od začetka do danes. Skozi primere ustvarjalcev pa se dotika tudi njenih umetniških zasnov. Po pisnem delu sledi opis praktičnega dela magistrskega dela, in sicer fotografske instalacije z naslovom Accelerato. Ta predstavlja, kako moto-šport vpliva na onesnaževanje okolja skozi štiri sklope, kjer sem fotografije uničeval ali jih tiskal na readymade avto dele.
Keywords:konceptualna umetnost, konceptualna fotografija, instalacije, destrukcija, motošport, onesnaževanje, magistrske naloge
Publication status:Published
Publication version:Version of Record
Place of publishing:Nova Gorica
Place of performance:Nova Gorica
Publisher:L. Carlevaris
Year of publishing:2025
Year of performance:2025
Number of pages:108 str.
PID:20.500.12556/RUNG-9958 New window
COBISS.SI-ID:232872451 New window
UDC:77.04
NUK URN:URN:SI:UNG:REP:SKKMXXYK
Publication date in RUNG:15.04.2025
Views:111
Downloads:0
Metadata:XML DC-XML DC-RDF
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CARLEVARIS, Luka, 2025, Accelerato : vpeljevanje readymade-a in destrukcije v konceptualno fotografijo [online]. Master’s thesis. Nova Gorica : L. Carlevaris. [Accessed 21 April 2025]. Retrieved from: https://repozitorij.ung.si/IzpisGradiva.php?lang=eng&id=9958
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Licences

License:CC BY-NC-ND 4.0, Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International
Link:http://creativecommons.org/licenses/by-nc-nd/4.0/
Description:The most restrictive Creative Commons license. This only allows people to download and share the work for no commercial gain and for no other purposes.
Licensing start date:01.04.2025

Secondary language

Language:English
Title:Accelerato : magistrsko delo
Abstract:The master's thesis Introducing Readymade and Destruction Into Conceptual Photography deals with conceptual art and the photography of this field. The assignment is divided into two parts. Since my main topic of the practical work is to present the issues of racing sports through a photographic installation, the first part talks about conceptual art and two creative approaches that are characteristic of it. These are the use of readymade objects and various procedures for destroying works of art. As the topic of my research topic, I set myself to explore the process of transforming everyday objects and acts of destruction into artistic creation. In doing so, I want the reader to realize that ordinary objects and the procedures of burning or erasing can also have expressive value if there is a concrete conceptual design behind them. Since the fundamental medium of the practical work of the assignment is photography, the second part is dedicated to conceptual photography. It presents its development from the beginning to the present day. It also touches on its artistic concepts through examples of creators. After the theoretical part, there is a description of the practical work of the master's thesis, a photographic installation entitled Accelerato. Installation represents how motorsports affects environmental pollution, and it consists of four sections where I destroyed photos or printed them on readymade car parts.
Keywords:Conceptual art, conceptual photography, readymade, destruction, motorsport, pollution, installation


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