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Title:Habitus + Capital = : diplomsko delo
Authors:ID Petrovčič, Kristian (Author)
ID Dekleva, Luka (Mentor) More about this mentor... New window
ID Žnidarčič, Tadej (Mentor) More about this mentor... New window
Files:.pdf Kristian_Petrovcic.pdf (5,22 MB)
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Language:Slovenian
Work type:Bachelor thesis/paper
Typology:2.11 - Undergraduate Thesis
Organization:AU - School of Arts
Abstract:Diplomsko delo Habitus + Capital = v osnovi raziskuje vlogo fotografije kot orodja za širjenje percepcije posameznika ter posledično družbe. Naloga je zastavljena tako, da teoretični del zagovarja praktični, kar z drugimi besedami pomeni kombinacijo tehnik, s katerimi so predstavljena področja socialno dokumentarne fotografije ter njenega vpliva. V kombinaciji z terapevtsko vlogo fotografskega medija se naloga dotika vprašanja, ali družbeno okolje, v katerem živimo, spreminja posameznikovo razmišljanje in na daljše časovno obdobje posledično tudi družbo ter obratno. V teoretičnem delu na začetku spoznamo osebni pogled avtorja na fotografijo, skozi katerega je predstavljeno poglavje o fotografiji kot orodju za širjenje percepcije. Nato so predstavljeni osnovni koncepti ter razmišljanje na podlagi ugotovitev drugega dela knjige General Sociology, ki so osredotočeni na razumevanje naslova diplomskega dela. Sledi krajša predstavitev zgodovine fotografije, ki se v nadaljevanju osredotoča na ključne spremembe pri dojemanju fotografije kot medija. V tem kontekstu spoznamo tudi razlike med reportažnim, dokumentarnim in sodobnim pristopom do teme. V glavnem delu spoznamo več o pomembnih avtorjih, ki so pripevali izredna dela, vezana na terapevtsko noto fotografije, za konec pa sledi opis serije socialno dokumentarnih fotografij (praktični del) ter kako je ta povezana s celotno zasnovo. Pri izdelavi praktičnega dela naloge, torej serije socialno dokumentarnih fotografij, ki so nastale v obdobju enega leta, so glavno vlogo pri izbiri tehnike in pristopa do teme igrala naslednja svetovno znana imena: Andreas Gursky, Edward Burtynsky, Stephen Shore ter Pierre Bourdieu. S pomočjo serije fotografij so v nadaljevanju naloge prikazani različni dosežki družbe na izbranih območjih, ki odražajo raziskovalno vprašanje. Namen fotografij je predvsem spodbuditi mlade k raziskovanju samega sebe ter vzpostavitev osebnega jaza v kombinaciji z družbenim okoljem, saj lahko tako vizije še posebej v svetu umetnosti prerastejo navidezne meje, ki jih poznamo kot rezultat bodisi kulturnega, socialnega bodisi simbolnega vidika kapitala.
Keywords:habitus, kapital, socialno dokumentarna fotografija, terapevtska vloga, družbeno okolje, razvoj zavesti, diplomske naloge
Place of publishing:Nova Gorica
Place of performance:Nova Gorica
Publisher:K. Petrovčič
Year of publishing:2024
Year of performance:2024
Number of pages:[74] str.
PID:20.500.12556/RUNG-8924 New window
COBISS.SI-ID:188152323 New window
UDC:77.04
NUK URN:URN:SI:UNG:REP:ATYHXMMZ
Publication date in RUNG:08.03.2024
Views:1688
Downloads:27
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Licences

License:CC BY-NC-SA 4.0, Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International
Link:http://creativecommons.org/licenses/by-nc-sa/4.0/
Description:A Creative Commons license that bans commercial use and requires the user to release any modified works under this license.
Licensing start date:07.03.2024

Secondary language

Language:English
Title:Habitus+Capital= : Diploma thesis
Abstract:The thesis Habitus + Capital = essentially explores the role of photography as a tool for expanding the perception of the individual and, consequently, of society. The theoretical part of the thesis is in favor of the practical part, which in other words means a combining of techniques to present the fields of social documentary photography and its impact. In combination with the therapeutic role of the photographic medium, the assignment addresses the question of whether the social environment in which we live changes individual mindset and, in the long term, consequently society, and vice versa. The theoretical part starts with the author's personal approach to photography, through which a chapter on photography as a tool for expanding perception is presented. Then, the basic concepts are presented and based on the findings of the second part of the book General Sociology, which are focused on the understanding of the title of the thesis. This is followed by a brief presentation of the history of photography, which then focuses on the key changes in the perception of photography as a medium. In this context, we also learn about the differences between reportage, documentary and contemporary approaches to the medium. In the main part, we learn more about the important photographers who have contributed outstanding works related to the therapeutic aspect of photography, followed by a description of a series of social documentary photographs (practical part) and how this relates to the overall concept. In the practical part of the thesis, a series of social-documentary photographs made over a year, the following world-famous names played a key role in the choice of technique and approach to the subject: Andreas Gursky, Edward Burtynsky, Stephen Shore and Pierre Bourdieu. Through a series of photographs, the thesis goes on to present various social achievements in the chosen fields that reflect the research question. The photographs aim above all to encourage young people to explore themselves and to construct a personal identity in relation to their social environment, since this can lead to visions that transcend the apparent boundaries we know as a result of the cultural, social or symbolic aspects of capital.
Keywords:Habitus, capital, social documentary photography, therapeutic role, social environment, Andreas Gursky, Edward Burtynsky, Pierre Bourdieu, Stephen Shore.


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